Tag Archives | Forwards

Over and Underbalancing in a Handstand

“Hey Logan, just a short question on the handstand, how do you get control when you go towards under balancing ( I think…I’m new to all this, hehe)? Because when I over balance I just push the floor with my fingers, but when I under balance I just have no idea what to do.”

Thanks,
Sebastien V-G

The True Art and Science of Hand Balancing
The True Art and Science of Hand Balancing on Amazon

“Hey Logan, I felt like trying a handstand today, and I tried it. I think I did pretty good, but before I can even hold it for more than a few seconds, I lose my balance and fall forwards. I have read most of the articles on this website, and I have tried the handstand again, but I still keep falling forward. Any Help?”
-Andrew

Thanks for the questions Sebastien and Andrew. They are common ones and are really all about what it takes to stay in the handstand.

To begin with if you are overbalancing you will press your fingertips into the floor. If you are underbalancing you can’t really press your palm into the floor, but you’ll want to raise your fingers up.

This old article has more details on the science of balancing.

There are also other methods of saving your balance whether its over or under. Read this article on shoulder weaving. As Bob Jones recommends this is not for beginners.

Learning this control whether by action of the hands or shoulders takes lots of practice. It’s a fine skill and will take time to develop or else everyone would be able to hold a handstand with ease.

That’s why I developed my Secrets of the Handstand Quick Start DVD. Using lead-up stunts will better help you to develop that balancing skill. And this review from Julia shows you why.

“Hi Logan, I appreciate your interest and support.  You probably have the best support system I’ve seen for people using your products.

“The DVD is great, and I think it’s a valuable tool for anybody who wants to have a strong and stable handstand.  I can really see the value of the lead-up stunts, and why a freestanding handstand is a bad idea until I get my frogstand under control.”

Thanks a lot!
-Julia

If you can’t control you handstand for more than a few seconds check out the Secrets of the Handstand Quick Start DVD.

Good Luck and Good Hand Balancing,
Logan Christopher

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Planche and Hand Position

A few comments were raised about the hand position in Rafael Guerrero’s planche in a previous post.

Why was he up on the fingertips? Is this necessary to do a planche in good form?

Unless you have hyper-flexible wrists you won’t be able to do a planche with the fingers pointing forwards and flat on the ground. Most people turn their wrists out to the sides to alleviate this sort of strain or come up on the fingers.

But there are other ways to do a planche with the hands not taking as much stress as these other pictures by Rafael show. You can do it on some sort of parallel bars.

Planche on Bars
Or completely on the fingertips.

Top Planche on Fingertips
Even in a hand-to-hand balance.

Top Planche in High Hand to Hand Balance
But if you do have the wrist flexibility you can do it on flat ground with the palms flat on the ground and facing forward. In the True Art and Science of Hand Balancing the chapter on planches showcases W.H. Mering doing just that.

Trampoline Handbook
Trampoline Handbook on Amazon

And if you’re seeking to build incredible strength like these planches show I have an important announcement later this week. Stay tuned!

Good Luck and Good Hand Balancing,
Logan Christopher

A few comments were raised about the hand position in Rafael Guerrero’s planche in a previous post. (If you missed that you can find it at https://lostartofhandbalancing.com/blog/the-true-planche/.)

Why was he up on the fingertips? Is this necessary to do a planche in good form?

Unless you have hyper-flexible wrists you won’t be able to do a planche with the fingers pointing forwards and flat on the ground. Most people turn their wrists out to the sides to alleviate this sort of strain or come up on the fingers.

But there are other ways to do a planche with the hands not taking as much stress as these other pictures by Rafael show. You can do it on some sort of parallel bars.

Or completely on the fingertips.

Even in a hand-to-hand balance.

But if you do have the wrist flexibility you can do it on flat ground with the palms flat on the ground and facing forward. In the True Art and Science of Hand Balancing the chapter on planches showcases W.H. Mering doing just that. Check out the book for more.

If you’re seeking to build incredible strength like these planches show I have an important announcement later this week. Stay tuned!

Good Luck and Good Hand Balancing,
Logan Christopher

Comments { 3 }

Handstand Lead-up Stunts (The Two Arm Elbow Planche)

In Handbalancing Made Easy, Professor E.M. Orlick explains that there are a number of stunts which will  teach you many of the aspects that are needed for a good handstand. Two of these stunts are covered in the downloadable guide. These are the headstand and frogstand. Today I want to talk about one more of the 21 covered in the course.

In his own words these are the benefits on mastering all of these stunts.

The following lead-up stunts constitute stepping stones to perfection. They serve a multiple purpose and are of inestimable value. Taken alone each is a stunt in itself and worth learning even if you had no interest in handbalancing. All of them have something in common to the handstand and thus, pave the way for good handbalancing.

Each accustoms you to the upside-down position of the handstand, each helps to develop the strength, balance and muscular coordination necessary to handbalancing. Many form the very basis of the advanced stunts which will be dealt with later.

Walking and Jumping On Your HandsWalking and Jumping On Your Hands on Amazon

Anyone who sincerely desires to become an expert at the art of handbalancing should master each and everyone of these lead-up stunts. Even if you can hold a fairly good handstand now you should practice these stunts, for no matter how good you may be there is always room for improvement.

The Two Arm Elbow Planche.

Two Arm Elbow Planche

In addition to being an excellent lead-up trick the two arm elbow planche plays an important part in advanced handbalancing. Many difficult stunts can be built around it.

To perform the trick kneel on the floor, bring both elbows together and place them in your stomach and turn the palms of the hands facing upwards. Now lean forwards slowly and place the hands flat on the floor with your fingers pointing backwards. Arch your back slowly until your toes leave the floor and you will be doing the two arm elbow planche.

You will find the balance a little difficult at first but just keep on practicing. The stunt can also be performed on the edge of a table or on the end of any ordinary bed.

I have also heard this move called many other things, from an elbow lever to a half-arm planche. The obvious next step, and much more advanced, is to switch to doing this move on a single arm.

Why is this stunt helpful? It trains the balancing aspect on your hands from a low center of gravity. You also have to keep a decent arch and your body tight or else you will touch the ground with more than your hands.

Looking back I realize just how helpful these lead-up stunts are. I was going after a handstand before I could easily hold a headstand. Logically, you should go after the easier stunts first before tackling the more difficult.

The great thing about this course is just about every stunt and move shown leads in to the next one. If you want to get the One Hand Handstand then you have eight different lead-up stunts before you even attempt it.

On that note don’t forget you can get early access to ordering the Hand Balancing Mastery Course by signing up for the VIP List at Hand Balancing VIP List

And you can win yourself a free copy by sending in your success story. Don’t forget to do it soon because the deadline for entries is midnight on Monday, November 19th.

Have fun with this one and until next time…

Good Luck and Good Hand Balancing,
Logan Christopher

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