Tag Archives | Handstand

Don’t Be Stupid

I saw this video awhile back on GymnasticsCoaching.com. Do not try this.

Certain professional hand balancers, like Inguar Anderson, have flirted with death by doing dangerous hand balancing stunts, for professional reasons. But it is not recommended for anyone to try to do the same.

When you see this guy doing a handstand, stumbling a few steps after his kickup, and falling down trying to press back up, you know he is not a professional. So trying to do a handstand a few feet or inches from a deadly drop is not a wise choice. Every once in awhile you’ll hear about someone who did a handstand on a building or something and fell to their death.

I do not recommend doing a handstand in any situation where if you fail you would hurt or kill yourself. If you’ve confident in your skills and have been practicing a long time you can up the intensity, but avoid doing something stupid like this.

Hand Balancing Made EasyHandBalancingMadeEasy_on_Amazon

Good Luck and Good Hand Balancing,
Logan Christopher

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Second Day at Gymnastics

Yesterday was my second day back at gymnastics.

I have to admit it’s a lot of fun. Join the class and do a series of drills across the floors. Different kinds of cartwheels. Handstands. Handstand roll out. Handstand rollout to standing. And so on.

The different people there have different strengths and weaknesses in these drills. Some are easy. Some are not, but you try anyway, and even if you fail in many cases you are getting better.

After the various warmup drills we were free to work on what we wanted to.

I didn’t do any back handsprings the previous time so I figured that was a good place to start. It’s nice to come back to gymnastics rather than starting from scratch. Much easier this time around.

Ultimate Guide to Handstand Pushups
Ultimate Guide to Handstand Pushups on Amazon

A few preliminary drills, a spot on one back handspring and then I was doing them by myself. Couldn’t quite get the ideal form I was trying for but I was getting back to my feet. Will have to work on those more for sure.

Backflip

Back to Back Flips

On to back flips. Although it wasn’t easy last time getting back into the motion, I had it down. Right away on the trampoline. Once again a few preliminary drills and I was ready to go.

This is why training in a gymnastics center is so great. One of the drills involved stacking a whole bunch of pads, including a wedge shaped pad at the top. This was close to shoulder height. The objective was to jump up and back. As soon as you touched the pads, or even before, you would tuck and roll back (the wedge helping you to do so). This allows you to work the jump and tuck while eliminating the entire second half of the move.

Wish I had taken a picture. Where else are you going to be able to do this?

I get a spot on my first real back tuck. It’s done off of raised mats onto a pad. Success. I find often times a single spot is all that is needed, not so much to help in the move, but to calm your mind, and allow you to do it without fear. After that you’re good to go. Just replicate the same action.

Gradually I lowered the mats until it was even. Then I did away with the mats and pads altogether and did a back flip on the floor. Back in action.

Seeing as I easily did these before I knew it wouldn’t be much trouble. Just had to get back into it step by step as I describe in this article on back flips. This time the steps were a lot quicker then when I first learned.

In a few sessions I’ll have all my skills back (and even be better in some ways.) I look forward to the new skills I’ll be learning how to do and sharing that all with you.

Good Luck and Good Hand Balancing,
Logan Christopher

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Entcho Hand Balancing

This is one of my favorite hand balancing videos by Entcho Keryazov from Bulgaria. Simply amazing.

I stumbled across this awhile ago, and many people have pointed it out to me, but this is the first time I’ve featured it here.

Ultimate Guide to Handstand Pushups
Ultimate Guide to Handstand Pushups on Amazon

Some of my personal favorites:

  • The back lever at 1:00
  • Hopping from one hand handstand to another at 1:59
  • Handstand on the stacked blocks and throwing them away at 3:14
  • The smooth muscle up on the stands at 4:24
  • No to mention his dismount and how he comes across as knowing just how good he is.

I don’t know about you but I’m inspired to practice right now.

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Adam Vazquez

Thanks to George for pointing hand balancer Adam Vazquez out to me.

Tumbling Illustrated
Tumbling Illustrated on Amazon

Obviously very talented. Personally I really enjoy the move shown at the 2 minute mark, the back handspring (onto a raised platform, no less) sticking into a handstand.

And I don’t know about you but this video makes me want to use my hand balancing stands.

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One Arm Handstand Series Part 2

This is the second in the series on progress towards the one arm handstand series.

In the Secrets of the Handstand Quick Start Video I show four lead-up stunts that work the skills necessary to do a handstand.

Tumbling Illustrated
Tumbling Illustrated on Amazon

The one arm handstand has lead-up stunts too.

One Arm Handstand Against WallAs was discussed previously in part 1, the most important lead-up stunt is to build a stable and consistent handstand that you can hold with ease. Only once you are at this point should you begin work towards that one arm version.

Just like for the regular handstand, a handstand against the wall can be used. In using it to lead-up to the one arm handstand, you’ll obviously do it on one arm.

This can help to build your strength. Plus you’ll be able to work on your position, to make sure you get exactly as you want. This is excellent as I find in my practice that as I fatigue it becomes harder to stay in the locked out position. Much easier to work on building this up without focusing on balancing, by using the wall. With a stronger position you will be able to practice longer and more.

When you do that one arm handstand against the wall you should do it in the same form as you’ll be working on the balance. If your legs are spread, do it legs spread. If you’re working on the one hander with legs together, do that against the wall. Try to minimize your lean as much as possible as you strive for the best position.

Being able to hold the one arm handstand against the wall for 45 seconds to a minute is a good goal to shoot for. This is one important step in the journey towards success.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Want more help for the one arm handstand? Be sure to check out How to do the One Hand Handstand by Professor Orlick.

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One Arm Handstand Series Part 1

My current goal in hand balancing is to do the one arm handstand. Its been a goal for a long time.

On that note I’m going to start a new series of articles that detail my progress toward it. This series will be off and on as I try new exercises, have breakthrough’s and make progress. There will be no known end point and no regular schedule to these, but they‘ll come when they come.

Before I get to that though we need to start with the preliminaries.

Where should you be at in your hand balancing practice before you begin in the one arm handstand?

Bob Jones One Arm Handstand

Bob Jones in a One Arm Handstand

Bob Jones from The True Art and Science of Hand Balancing says:

“He who cannot walk can hardly run, and it is equally true that one who cannot do a correct two hands balance can hardly hope to master the balance on one hand. And by this term I do not mean mere ability to stand on the two hands; I mean the ability to stand in good position and to remain there by balancing correctly. So, before making a pass as the one-hander, check back on your two hands position.

“The position on two hands must be with arms straight and perpendicular when viewed from the side. Use all your back bend-­whether much or little does not make too much difference, but use all of it until you learn the balance; then you can stiffen up if desired. Go over Chapter 7 and check your position to make certain you balance correctly in the proper position; weight on the ball of the hand, balance by wrist action (imagine that you are balancing on one hand on a silver dollar placed underneath the first two knuckles), and not by wiggling or shimmying the legs from knees, hips, or small of back. If you feel satisfied, let us proceed.”

And from Professor Orlick in How to do the One Hand Handstand:

“YOU MUST FIRST MASTER THE TWO-HAND HANDSTAND. That’s right! You cannot possibly do a good One-Hand Handstand until you can do a perfect Two-Hand Handstand.

One Hand Handstand“This does not mean that you must be able to perform all of the hundreds of tricks in my basic course “Handbalancing Made Easy”. It simply means that you must be able to press into a perfect Two-Hand Handstand and hold it with absolute control. It means that your elbows must be straight and locked, that your shoulders must be stretched out and locked, that your back must be only slightly arched, your knees perfectly straight and your toes pointed.

“When your shoulders are fully stretched out, you shoulder muscles (deltoids) should actually be pressing against your ears. Furthermore, there should be a straight bone-to-bone alignment at your elbow and shoulder joints so that no strength is needed to support your bodyweight. When you get into this fully locked-out position, with every part of your body stiffened out into a straight line from your hands to the very tip of your toes, then you will be able to hold the Perfect Two-Hand Handstand with practically no effort whatsoever. In fact, all that it will require to keep you up there is the slightest bit of pressure against the floor with your fingertips.

“The fully locked-out position in the two-hand handstand, is the half-way mark to the One-Hand Handstand. This is the position you must assume every time you want to go into the One-Hand Handstand. In fact, this is so close to the One-Hand Handstand that you can’t get much closer to it without actually doing it.

“YOU should practice the perfect Two-Hand Handstand until you have absolute control of it before going on to the One-Hand Handstand. You can figure that you have reached this point when you can hold a fully locked-out two-hand handstand consistently for about 45 seconds. Most good handbalancers can hold it twice this long so you should keep on practicing until at least one minute is well within your capability.”

While there is disagreement about the back-bend the rest of the details are similar. Before beginning the one arm handstand you need to be able to hold a handstand with ease in good position.

If you can’t do this, your efforts towards the one arm handstand are going to result in nothing but frustration.

This is getting me excited to work on my position more right now.

Next time we’ll look at some other important lead-up stunts before beginning in earnest with the one armer itself.

Good Luck and Good Hand Balancing,
Logan Christopher

Walking and Jumping On Your HandsWalking and Jumping On Your Hands on Amazon
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Hand Balancing for Different People

Different groups of people practice hand balancing for different reasons.

yoga handstand

Handstand in Yoga

Walking and Jumping On Your HandsWalking and Jumping On Your Hands on Amazon
Yoga – Within the multitude of yoga asanas there are quite a few hand balancing poses. In yoga these are mostly known as inversions, as that is exactly what they are doing, inverting the body. Many of the poses are the same like the headstand, handstand and crow stand (aka frogstand) although they often come in different names. Others use various components of yoga like the lotus position in a handstand which isn’t seen outside of yoga too often.

When doing hand balancing in yoga, as in all yoga the goal, is to hold the pose, usually for longer periods of time. (I know this is a simplification.) To balance and go inside, as yoga is more than a physical practice.

Break Dancing – Breakdancing incorporates a number of hand balancing movements. Again these come in all different names. In break dancing moves are rarely held for a long time instead movements are strung together and made to flow.

Often in these balances break dancers will contort their body in order to hold the balance. This gives their balances a different look then the other disciplines. Make no doubt about it, great break dancers have great skill and strength.

Circus Performers – The circus has a wide range of skills and many of the incorporate hand balancing at one time or another. Contortionists, acrobats, even jugglers go into various hand balances. Then of course, there are the equilibrists, the best of the best. The hand balancing they do is the best in the world and awe inspiring to watch.

In order to get to this level you will need professional coaching, and many hours over years of practice.

Bodyweight Trainees – This is how I came to hand balancing. Working out in various ways I came to use my own bodyweight as my primary means of resistance. This led to doing handstands and eventually handstand pushups against the wall. One day I thought it would be fun to do it all without the wall and that led to my first attempts at doing a freestanding handstand. Hand balancing goes well with any variety of strength training.

Gymnasts – Probably the most well known and even biggest group of hand balancers. Their balances are done with a perfectly straight body to score good with the judges (and many think if you do it any other way you are doing it wrong and/or going to hurt yourself).

In a lot of gymnastics the skills move into and out of the handstand but specific hand balancing skills aren’t practiced all that often. In order to do a one arm handstand a gymnast will have to work outside of the normal gymnastic skills. But you can’t deny the best gymnasts are some of the strongest and most skilled people out there.

Everyday People – Then there is just your average person who wants to do a handstand. Maybe these other categories inspired them to want to do so. Maybe the idea came from somewhere else. You don’t have to fit into one of these groups to get good although just working on the basic movements is often enough for many people. Being able to hold a handstand with ease is the end goal. But some choose to keep pursuing what they can do in hand balancing.

No one group of people is better than any other. They can all learn from one another. They can all pursue what they want in their own way. Here at Lost Art Of Hand Balancing I hope to offer something to everyone regardless of their goals.

For your average person looking to get started the Secrets of the Handstand DVD would be the best place to start.

Someone looking to expand their repertoire would want to check out The True Art and Science of Hand Balancing or the Hand Balancing Mastery Course to discover tons of new and advanced skills.

An expert or professional may have skills beyond these materials but maybe they could use a pair of hand balancing stands.

And this doesn’t even begin to cover the acrobatic arts outside of handbalancing that are closely related.

If you’ve read this far why don’t you comment below and tell me what brought you to hand balancing in the first place?

Good Luck and Good Hand Balancing,
Logan Christopher

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High One Arm to Arm Handstand

High One Arm to Arm

Rafael's High One Arm to Arm

Here is another great picture from Rafael Guerrero. It’s an interesting hand to hand balance. Similar to a one arm handstand but at still quite different.

Regardless, its a balance you don’t see very often. For those of you who are experienced hand balancers give this one a try if you have the partner to do it.

Good Luck and Good Hand Balancing,
Logan Christopher

Hand Balancing Made EasyHandBalancingMadeEasy_on_Amazon

P.S. Don’t forget the Free Success in Hand Balancing Teleseminar I’m doing this Wednesday night with Beast Skills’ Jim Bathurst. Sign up and ask your questions here.

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Handstand Muscles

Today’s post will answer another question from the many I regularly receive.

“Hey I am Stefan I am now starting out with doing the handstand, but my question is what muscles are involved in doing the handstand and what exercises can I do to improve it?”

Let’s start with the first question, what muscles are involved in the handstand? And the answer is all of them.

When you’re starting out you need to be able to keep your body tight if you want to have any chance of staying upside down. This means every muscle must be engaged from the tips of your fingertips down to your toes.

This doesn’t mean you flex everything as hard as possible but you must stay tight. As you advance you’ll learn how to use only as much tension as is needed and no more. This allows you to go for longer periods. But to start out with squeeze all those muscles, arms, back, abs, legs and even the toes.

Now onto the second question. There is a rule of thumb in training. In order to get good at something you must do that thing. So if you want to get good at handstands you must do a lot of handstands. There is no way around this.

This is true but in some cases you’re better off working on easier skills. Do skills that are easier then the handstand itself that build up the same abilities that the handstand needs. For the handstand these include a wall handstand, frogstand, forearm stand, and headstand. All the details and proper progression for this is laid out in the Secrets of the Handstand Quickstart DVD.

Work on easier skills that lead up to the harder ones. For anything else in hand balancing check out the Hand Balancing Mastery Course.

As an analogy, if you wanted to learn the piano you wouldn’t start out with the Rach 3 but instead focus on scales and simple songs first. This concept holds true for all skills you desire to build.

How to do the One Hand Handstand by Professor Orlick
ow to do the One Hand Handstand on Amazon

Good Luck and Good Hand Balancing,
Logan Christopher

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Which Course To Get?

Handstand

Regular Handstand

All I can say is WOW!

Hand Balancing Made EasyHandBalancingMadeEasy_on_Amazon

The demand for the Hand Balancing Mastery Course is overwhelming.

That’s entirely understandable when you see the systematic approach Prof. Orlick takes in his books and all the added bonuses you can get like the interviews and DVD’s.

For all of you who ordered your courses will be shipping out very soon. In fact some of the first orders have already gone out. For those that haven’t ordered yours yet, what are you waiting for?

I’ve received a few questions asking about the new course in relation to the others I have available. How does the Hand Balancing Mastery Course compare to The True Art and Science of Hand Balancing?

First off, what’s the same? They both talk about hand balancing from beginning skills up to very advanced. But that’s about it!

The Hand Balancing Mastery Course is much more systematic in its approach. In most cases you’ll work on one move right before the next and you can honestly come close to following the book in order as its laid out.

While there is some crossover in skills there’s also a lot of difference. The True Art and Science of Hand Balancing is almost devoid of walking on the hands. The Mastery Course has a whole book on it. The True Art and Science of Hand Balancing covers the planche in some depth which the Mastery Course doesn‘t have in the books, but its covered in both the CD’s and DVD’s.

I will give The True Art and Science of Hand Balancing extra points for having real photographs to display the skills. The Mastery Course has drawings for most of the skills which do the job well, especially since I had every single one re-drawn. And yes the drawings you see here and on that page is what you’ll find in the books.

The biggest difference is the amount of content. The Hand Balancing Mastery Course has so much more. In the books alone you’ll find at least twice as much. And that doesn’t even include the several hours of audio and video.

There’s even less crossover between other products.

The Secrets of the Handstand Quick Start DVD was born out of the ideas I learned from the Hand Balancing Mastery Course in using the lead-up stunts as Professor Orlick describes. That DVD covers just working up to the handstand and nothing beyond it. If you were just starting out I would recommend starting there and once you have some proficiency then getting the Mastery Course.

The Ultimate Guide to Handstand Pushups is more about building strength then balancing. Sure it has a chapter on doing freestanding handstand pushups (which is covered in one of the DVD’s in the Mastery Course) but that’s the only real similarity.

That should give you an idea of the differences. To get more details take the time to read the product pages. Sure, they might be a little salesy but I do my best to actually show you what’s inside each book, DVD or course.

If you have any other specific questions let me know.

Good Luck and Good Hand Balancing,
Logan Christopher

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