Tag Archives | Fingers

Handstand Tutorial

By admin on August 22, 2009 in Handstands

Here is a basic handstand tutorial. This will cover first practicing against a wall. If you are trying to go out into the open check out this article on how to do a hand stand.

Holding a handstand is not an easy skill. It requires much practice especially if you want to do it out in the open. The tips in the article will help you get started. Before we begin just know that practice is the biggest determinant of whether you’ll be successful or not with the handstand. The more you can practice the faster you’ll get results.

What you learn here will go a long way to helping you out. Also, these tips will ensure you get started with good habits which will set you up to learn even more advanced stunts later on. If you attempt the handstand without any instruction you may setup yourself for failure. Sure, you may figure out how to do the handstand but you may build bad habits which will make other hand balancing skills harder to do in the future.

The easiest way to learn the handstand is to first practice it against a wall. You’ll be able to learn proper body position first.

The first step is to kick-up into the handstand. In order to become successful you’ll need to build a good kick-up. So practice this skill by itself as much a you need to.

Kick-up to Handstand

Get in a sprinter’s stance. Place both hands on the floor about shoulder width apart approximately 6-10 inches from the wall. One foot should be close to your body while the other is farther back. With the back leg you kick up and then bring the other leg to meet up with it against the wall. Kick enough to get yourself up into the handstand but not too much so that you slam into the wall.

Now lets focus on your form in the handstand. Spread the fingers wide apart and grip the ground. This will help especially with balancing later on.

Make sure your elbow are locked. If you bend your arms you’ll have to rely on your strength versus your body’s structure to hold you up. Also push your arms into the ground from the shoulder girdle. Think of trying to reach your shoulders to your ears. This will give you a better locked out position.

The rest of your body should remain tight as well from your back to the legs all the way to your toes. Point the toes and keep the legs together to help with this. By keeping tight you make holding the position, and balancing later on, much easier.

For most people some arch in the back is normal. There are different ways to go about it depending on the style of handstand you are going after. Just do whatever is comfortable for you as long as its not an excessive arch. But if you try to stretch your body upwards you’ll straighten a bit and get tighter.

You can keep your head neutral or tilt it back to look at the ground.

Handstand against Wall

All the points for a good and stable handstand position are here. The goal is to create this same position every time you do a handstand whether against the wall or freestanding. Practice these steps enough until they are a habit every time you go into the handstand.

After you can hold this handstand for about a minute you can get started with a freestanding handstand, although there are a few other important lead-up stunts, like the headstand and frogstand, to work on to build up your abilities.

Remember to keep practicing and you will succeed.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. For more on how to do the handstand check out the Secrets of the Handstand Quick Start DVD.

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Over and Underbalancing in a Handstand

By admin on August 4, 2009 in Handstands

“Hey Logan, just a short question on the handstand, how do you get control when you go towards under balancing ( I think…I’m new to all this, hehe)? Because when I over balance I just push the floor with my fingers, but when I under balance I just have no idea what to do.”

Thanks,
Sebastien V-G

“Hey Logan, I felt like trying a handstand today, and I tried it. I think I did pretty good, but before I can even hold it for more than a few seconds, I lose my balance and fall forwards. I have read most of the articles on this website, and I have tried the handstand again, but I still keep falling forward. Any Help?”
-Andrew

Thanks for the questions Sebastien and Andrew. They are common ones and are really all about what it takes to stay in the handstand.

To begin with if you are overbalancing you will press your fingertips into the floor. If you are underbalancing you can’t really press your palm into the floor, but you’ll want to raise your fingers up.

This old article has more details on the science of balancing.

There are also other methods of saving your balance whether its over or under. Read this article on shoulder weaving. As Bob Jones recommends this is not for beginners.

Learning this control whether by action of the hands or shoulders takes lots of practice. It’s a fine skill and will take time to develop or else everyone would be able to hold a handstand with ease.

That’s why I developed my Secrets of the Handstand Quick Start DVD. Using lead-up stunts will better help you to develop that balancing skill. And this review from Julia shows you why.

“Hi Logan, I appreciate your interest and support. You probably have the best support system I’ve seen for people using your products.

“The DVD is great, and I think it’s a valuable tool for anybody who wants to have a strong and stable handstand. I can really see the value of the lead-up stunts, and why a freestanding handstand is a bad idea until I get my frogstand under control.”

Thanks a lot!
-Julia

If you can’t control you handstand for more than a few seconds check out the Secrets of the Handstand Quick Start DVD.

Good Luck and Good Hand Balancing,
Logan Christopher

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Planche and Hand Position

By admin on July 20, 2009 in Flexibility & Contortion, Hand-to-Hand, Planche

A few comments were raised about the hand position in Rafael Guerrero’s planche in a previous post.

Why was he up on the fingertips? Is this necessary to do a planche in good form?

Unless you have hyper-flexible wrists you won’t be able to do a planche with the fingers pointing forwards and flat on the ground. Most people turn their wrists out to the sides to alleviate this sort of strain or come up on the fingers.

But there are other ways to do a planche with the hands not taking as much stress as these other pictures by Rafael show. You can do it on some sort of parallel bars.

Planche on Bars
Or completely on the fingertips.

Top Planche on Fingertips
Even in a hand-to-hand balance.

Top Planche in High Hand to Hand Balance
But if you do have the wrist flexibility you can do it on flat ground with the palms flat on the ground and facing forward. In the True Art and Science of Hand Balancing the chapter on planches showcases W.H. Mering doing just that.

And if you’re seeking to build incredible strength like these planches show I have an important announcement later this week. Stay tuned!

Good Luck and Good Hand Balancing,
Logan Christopher

A few comments were raised about the hand position in Rafael Guerrero’s planche in a previous post. (If you missed that you can find it at https://lostartofhandbalancing.com/blog/the-true-planche/.)

Why was he up on the fingertips? Is this necessary to do a planche in good form?

But there are other ways to do a planche with the hands not taking as much stress as these other pictures by Rafael show. You can do it on some sort of parallel bars.

Or completely on the fingertips.

Even in a hand-to-hand balance.

But if you do have the wrist flexibility you can do it on flat ground with the palms flat on the ground and facing forward. In the True Art and Science of Hand Balancing the chapter on planches showcases W.H. Mering doing just that. Check out the book for more.

If you’re seeking to build incredible strength like these planches show I have an important announcement later this week. Stay tuned!

Good Luck and Good Hand Balancing,
Logan Christopher

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Overbalancing in the Forearm Stand

By admin on June 30, 2009 in Flexibility & Contortion, Handstands

This question comes from Fady.

“Hi Logan, hope you’re doing fine, actually I’m facing some overbalancing problems when trying to make elbow stand I find myself falling to a bridge no matter how hard I pressed with my fingers or trying stretching my legs and back.

“Actually I’m good at HS against wall, also balance good on frog stand and can save underbalanced HS pretty well (when I’m against wall), also I think I have a flexible back (I can make wrestler bridge and make my chin touch the floor)

“But I think I’m facing overbalancing problems, do you think that this could be due to my back strength lagging my flexibility? plz advice?”

My guess is that because of your great flexibility your legs and feet hang too far over in the forearm stand. This is what causes you to overbalance and land in a bridge.

Here’s two things you can do to correct this issue. First off, attempt to straighten your back. Don’t allow your legs to extend to far past. Instead try to reach up and stay tall.

The other thing to try is to do the forearm stand in front of a wall just like you would a handstand. By using the wall just as much as possible you can work your balancing and, of course, it’ll stop you from overbalancing.

Working these two methods you should be able find the balance.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. For more tips on the forearm stand be sure to check out the Secrets of the Handstand Quick Start DVD.

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Hand Placement in Handstands

By admin on February 16, 2009 in Handstands

Here’s an interesting question.

“I can only hold a handstand for about five seconds, with all fingers spread out, but when I bend in my right index finger I can hold for 15 seconds on up. What should I do?”
Matthew Romero

If you can hold it longer with your fingers bent then that’s probably what you should do. I’m not to sure why bending that single finger helps you so much but here’s a more general reason why you should bend the fingers.

Because balancing on the hands can be difficult to do you want to give yourself the widest base possible. This means you spread your fingers out. As in spacing your fingers and not keeping them together.

But you don’t want them fully extended. Keep your fingers slightly curled and this helps you to grip the ground harder. With more grip you can balance easier.

By using your hands in this way you’ll have more control and that means you stay up in a handstand longer.

On a different note, I’m going to be having a few important announcements in the next couple of weeks. Make sure you stay tuned.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. If you need help getting started with your handstand check out my Secrets of the Handstand Quickstart guide.

How to do the One Hand Handstand by Professor Orlick

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Free Movement and Complete Control

By admin on October 20, 2008 in Flexibility & Contortion

Free to move and in control.

Isn’t that what hand balancing and all acrobatics is all about? Being able to move your body in any which way and having complete control.

Capable of hopping onto your hands and shifting one way or another, posting on a single hand then coming down to your feet only when you want to.

What separates the amateur from the pro is having charge of all movement and making it look easy.

I’m always on the lookout for anything that can help give me an edge and also to make life more enjoyable.

One piece of training that too many people neglect is mobility. The issue isn’t flexibility. The issue is being able to move each joint individually through a range of motion that it is SUPPOSE to be able to go through without hurting or stiffness.

This is the key to longevity. To living without aches and pains. And at the same time it will make you a better athlete more capable to handle your challenges.

Many people are familiar with some level of this training whether it was done for a warm-up back in school for physical education or some sports. Simple things like arm or ankle circles. Turning the head from side to side and the like.

But those most basic moves, if they’re done at all are not the complete picture. Too many joints are neglected. The mid-back, pelvis and individual fingers are just a few examples.

And like anything else mobility practice should be progressive. You gain better control by adding complexity to the movement.

To learn more about gaining control of your body and movement check this out.

If you have issues with your hands, shoulders or back this could be the one thing that helps you take back your body.

The newly-released book Free to Flow will guide you through the starting movements up to complex waves, diagonal infinities and clovers for each part of the body.

And it’ll give you much else. You can get this 390-page book right now for only $34.95.

Consider it an investment in your health and as a way to improve your performance whether in sports, martial arts, hand balancing, or just about anything else.

Click here to find out more about Free to Flow

Sincerely,
Logan Christopher

P.S. I don’t often make recommendations of other people’s products but when I do you know its good. Considering what this book can do for you I think it’s a steal at the current price. Click to read more about it including Sonnon’s amazing story.

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Advanced Bridging

By admin on October 8, 2008 in Bridging, Flexibility & Contortion

Last summer I was traveling through Europe with a group of friends. We were in San Sebastian waiting to go to Pamplona for the running of the bulls.

There were several hours to kill before the train would arrive and take us off.

So we decided to play some football in a nearby park. (Finding an American football in Europe wasn’t easy but that’s a story for another time.)

Since the only place we could find was a field of half grass and half granite, we played two-hand touch rather then tackling each other. Still, being men it was bound to get rough. And of course highly competitive.

A little three on three action. The whole game was a tight battle for the lead.

And it was going smoothly until a certain kickoff.

The kick was high and short. As we scrambled forward to catch it, the other guys were rushing towards us. The ball hit the ground and bounced high up into the air.

I leaped upwards. I don’t know how exactly it happened, or who hit me, but my feet were taken out from under me sending me spinning.

Six feet up in the air I turned over and came crashing down onto the packed ground, the back of my head being the first point of contact. THUMP!!

I’m not gonna lie and say it didn’t affect me. It did. I was stunned and had to take some time out of the game. But within an hour I was fine.

Meanwhile one of my friends pulled a neck muscle by looking over his shoulder for a pass. Seriously.

But how did I avoid what certainly would should have been a concussion? How was I fine in just an hour but my friend had a nagging injury for months.

Its how I train. The neck and spine are often neglected by most people even if they do otherwise train their body.

All my neck training is done from the wrestler’s bridge. But I don’t just hold the position for time. I’ve developed a series of exercises that will give you one of the strongest necks in the world.

But that’s only part of the equation. There’s also the gymnastic bridge. Few exercises work the body from fingers to toes like this one. Especially when you consider the flexibility and agility to move into and out of position with ease.

Considering how I started so inflexible and weak many years back, its amazing some of the things I can do now. And now you can do it to.

Go to Advanced Bridging to find out more.

Be sure to watch the video to really see what is possible with a few bridging movements.

This is a special offer and your only notice. Come Friday morning the page is coming down. So go check it out while you have a chance.

Good Luck and Good Bridging,
Logan Christopher

P.S. On first appearance to many people the bridge in its many forms can appear injurious and dangerous. But if you go about it the right way not only will you build strength and flexibility, you can become concussion-proof. You’ll find out more at Advanced Bridging.

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Basic Handstand Help

By admin on August 14, 2008 in Handstands

I’ve received quite a few questions lately, so today I’m going to dive into the proverbially mail bag. Remember you can submit your hand balancing questions here.

Here’s a few different questions from Cheryl.

“Which part of my body to focus for balancing when i hold a handstand. Do I use my backbend to balance? Do I inner or outer rotate my thighs to balance? Do I grip my fingers to balance? thank you very much.”

“How to lift to handstand as each time i kick up I will either past centre or cant reach the centre. Which part of my body should I engage and how? Thank you very much.”

These are good questions Cheryl and they actually overlap a bit.

You want your entire body to stay tight, from you toes through your back all the way to your fingers. At no point (except when doing certain tricks) should you be balancing by using your legs or back.

The balance should be maintained with pressure of the fingertips. You can maintain balance with your arms and shoulders but for a beginner you should get these just as locked out as the rest of the body and use only the fingers.

The kick-up is a skill in and of itself that must be specifically practiced like the handstand. Improve your kick-up and getting into the handstand becomes easy.

It’s really a matter of kicking up with the same amount of force each time so that you hit the sweet spot, not overbalancing, not underbalancing.

And like stated earlier when you are in position your whole body engages.

These are the basics of the handstand. Get them down and you’ll be holding handstands effortlessly.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. If you want more help on how to do maintain the proper position, how to train the kick-up and extra exercises check out The Secrets of the Handstand Quickstart Guide.

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Don't Relax in Your Handstand

By admin on July 12, 2008 in Handstands

Relaxation

It something we all need. Especially living in this day and age. Too many people live their lives way to strung out, ready to explode at the next little thing.

There is a time to sit back and do nothing. Get a massage, meditate, shut down all the electronics and go for a walk.

These sort of things should be a common part of your life. You want to maintain a calm demeanor because life is just better that way.

But then there are times to turn up the tension. To act and act quickly.

When it comes to hand balancing, the art definitely falls into the later category. Yes you can teach your body to relax but standing on the hands is not the time.

Especially when you are starting out, the tendency is to have the legs to flop around, the back to relax and body to come out of position.

In order to stay up in the air you want to remain like a stiff board from the tips of you fingers to the tips of your toes.

This doesn’t mean you tighten up as hard as possible as if you were under a thousand pound load. But you stay tight so that gravity doesn’t have its way with you.

And don’t forget to breathe.

Without maintaining this tension you may be able to stand on your hands or walk around but not for long, nor will you be able to move up to anything harder.

If you’ve been relaxing this is your reminder to get back in gear.

The Secrets of the Handstand Quickstart Guide covers this difference between relaxing and staying tight in more depth.

When it was re-released last week I said that new buyers would get last month’s issue of Acrobat Accelerator for free along with this month’s.

Well, I forgot to mention when that ended. So here’s the date. You have until Tuesday the 15th. After that you won’t be able to get the June issue again.

If your on the fence, now’s the time.

Good Luck and Good Hand Balancing,
Logan Christopher

PR: wait…

I: wait…

L: wait…

LD: wait…

I: wait…

wait…

C: wait…

SD: wait…

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Handstand Pushups and Handstand Hand Positions

By admin on May 31, 2008 in Handstands

Got two more handstand questions I’ll dig into today. I have to admit the quality of the questions has stepped up recently at least for the most part. Submit yours at https://lostartofhandbalancing.com/question.html.Here we go. The first one is from Ari.

“OK, Logan, I can balance on my hands, and I have the strength to do handstand pushups, but maintaining balance in an HSPU seems almost impossible. As I lower from the handstand my weight always starts to move to the ventral (stomach) side and unless I bend my legs at the knees so my calves counterbalance the weight, I lose my handstand. How do you maintain a straight bodywhile doing a handstand pushup?”

The first step is to make sure you have the strength to perform the move. When most people do handstand pushups against the wall it’s in an alignment that makes the pushup easier than the form you have to take for a free standing handstand pushup. This is a big topic in and of itself that I’ll have to dig into another time.

The important thing is to have an excess of strength. It’s not good to be burned out after two attempts, since you need to ‘practice’ the move. Onto the balancing.

It is going to be slightly different depending on how straight or arched you are. The thing is that your body will be at an angle and not perfectly vertical from the ground. When your head touches the ground it should be in a triangle formation with the hands. Like the headstand except you don’t rest on the head.

Because of this the upper body and lower body are on different sides of your center of gravity. As if you were lowering down toward the planche.

The most important thing you have to do in order to keep the balance and not fall toward the feet is keeping yourself toward overbalancing. The pressure must be toward your fingers at all times. If you go toward your palms you’ll lose it.

Of course the body has to be kept real tight at the same time. But keep the weight toward your fingers and you’ll be able to stay balanced while doing the pushups.

And here’s one from Ron.

“I’ve been doing handstand training for the past 4 months. For the purpose of experimentation, what are the effects of different hand positioning? In other words, if you spread your hands wider apart, does that provide any benefits, as opposed to keeping the hands at shoulder width?”

Here’s the words of Professor Orlick, from the beginning of chapter 11 in Hand Balancing Made Easy.

There is a two-fold purpose for learning these (that is handstands with different hand and arm positions). The first is for the stunts themselves, they look good, impress your audiences and give you personal satisfaction.

The second is for excellent balance they develop. When you vary the position of the hands you are forced to balance less and less with the fingers and hands themselves and more and more with the body as a unified whole. This may not be clear to you right here but after you learn a few of the stunts which are described you will understand exactly what is meant.

He then goes on to list 14 handstand exercises with different hand and arm position and even more in the next chapter. For details on the exact ones check out Handbalancing Made Easy.

But that explains it well enough. Changing your arm position will work your balance to a higher degree. These variations are good to throw into the mix from time to time.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Just to let you know there’s going to be changes to a few of the products next week.

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