Tag Archives | Fingers

Yoga Headstands

Yoga headstands, known as Sirshasana, are different than the standard gymnastic headstand. Instead of resting your palms flat on the ground you interlock your fingers and place them behind your head.

[youtube:https://www.youtube.com/watch?v=5rh-lIyJgqk]

The headstand is a great stunt. Very much underrated. Here is a more difficult variation of the headstand. In fact this would be an excellent exercise to move you forward to holding headstand with no hands at all.

Walking and Jumping On Your HandsWalking and Jumping On Your Hands on Amazon

I would recommend you start off this move against a wall as your base of support is quite a bit smaller than the regular headstand.

Kicking up can be tricky too. Instead of kicking up you may want to raise your legs from the floor at the same time. Good ab move too.

This is just one clip from the Handstand Quick-start Guide. I’ll be putting more video up as development continues.

As this is the first informative video, please let me know what you think.

Good Luck and Good Hand Balancing,
Logan Christopher

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Hand Sensitivity for Handstands

Was reading this book on hand dynamics just last night. It talks about some crazy stuff such as a third of our motor brain controlling just the hands. And by the fact that we have hands we are able to manipulate tools and thus build an advanced civilization unlike any other animal.

When you think about it the hands are very amazing instruments. There are so many different ways you can move them around that its mind boggling. They can create art, play musical instruments, hold large weights, massage another person, and much more.

Hand balancing doesn’t just take strength. That’s an obvious thing to anyone who has ever tried a handstand. Though strength is necessary which is why Professor Orlick outlines more than a dozen exercises in his work for this purpose.

In order to balance you need sensitivity. Being able to detect minor movements in your body and weight distribution and correct them by manipulating your fingers and wrists.

There are many exercises in this book for flexibility, coordination and more which I may cover at a different time. But now I wanted to leave you with a final thought.

Sometimes you need to concentrate on the big picture. Other times you need to look at the very small details.

How to do the One Hand Handstand by Professor Orlick
ow to do the One Hand Handstand on Amazon

The next time you are inverted give some added thought to the slightest movements in your hands. It might help you out.

Good Luck and Good Hand Balancing,
Logan Christopher

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Handstand Balancing, Positions and More

Here’s another question from John in England.

Hello Logan, I’ve just received your manual which I ordered, thanks for sending it so prompt. I’m just approaching 40 years old and have become determined to do handstands and a few other basic gymnastic exercises. I’ve been practicing against a wall for a few months and can hold a wall handstand for just under a minute but I’m having a lot of trouble transferring that skill away from the wall. I’m trying to concentrate on my fingers and wrists to balance without much luck. Any tips. Also how long should you be looking to hold a stationary free handstand before moving on to the next section of your course and handstands with unusual leg positions.

Well John first off I want to commend you for going after these skills at an age where most men are content with doing zero physical activity.

There are a few questions here so I will tackle them one at a time.

The article I wrote last week may help with the balancing aspect. You can read that here: Handstands and Scientific Balancing

Some of the lead-up stunts described in the Hand Balancing Mastery Course are a big help in teaching you the balance.Still it takes practice to get the ‘feel’ of the handstand.

There will be more on this subject soon since it seems to be everyone’s mind judging from the number of questions I‘m getting.

As for how long should you hold each position? This is up to you. At a bare minimum I would say 15 seconds. But 30 seconds would probably be better.

I can remember my first half minute handstand. It was quite exciting and perhaps I will share that story with you another time.

Once you move onto the variations found in the course you don’t need to set a record with each one. Just master the position. I personally like to move from one position to the next and so on but holding them works just as well.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. The new Ask A Question section of the site seems to be a hit. While I may not reply personally to your question it will let me know what you want covered here.

Tumbling Illustrated
Tumbling Illustrated on Amazon
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Handstand Lead-up Stunts (The Two Arm Elbow Planche)

In Handbalancing Made Easy, Professor E.M. Orlick explains that there are a number of stunts which will  teach you many of the aspects that are needed for a good handstand. Two of these stunts are covered in the downloadable guide. These are the headstand and frogstand. Today I want to talk about one more of the 21 covered in the course.

In his own words these are the benefits on mastering all of these stunts.

The following lead-up stunts constitute stepping stones to perfection. They serve a multiple purpose and are of inestimable value. Taken alone each is a stunt in itself and worth learning even if you had no interest in handbalancing. All of them have something in common to the handstand and thus, pave the way for good handbalancing.

Each accustoms you to the upside-down position of the handstand, each helps to develop the strength, balance and muscular coordination necessary to handbalancing. Many form the very basis of the advanced stunts which will be dealt with later.

Anyone who sincerely desires to become an expert at the art of handbalancing should master each and everyone of these lead-up stunts. Even if you can hold a fairly good handstand now you should practice these stunts, for no matter how good you may be there is always room for improvement.

The Two Arm Elbow Planche.

Hand Balancing Made EasyHandBalancingMadeEasy_on_Amazon

Two Arm Elbow Planche

In addition to being an excellent lead-up trick the two arm elbow planche plays an important part in advanced handbalancing. Many difficult stunts can be built around it.

To perform the trick kneel on the floor, bring both elbows together and place them in your stomach and turn the palms of the hands facing upwards. Now lean forwards slowly and place the hands flat on the floor with your fingers pointing backwards. Arch your back slowly until your toes leave the floor and you will be doing the two arm elbow planche.

You will find the balance a little difficult at first but just keep on practicing. The stunt can also be performed on the edge of a table or on the end of any ordinary bed.

I have also heard this move called many other things, from an elbow lever to a half-arm planche. The obvious next step, and much more advanced, is to switch to doing this move on a single arm.

Why is this stunt helpful? It trains the balancing aspect on your hands from a low center of gravity. You also have to keep a decent arch and your body tight or else you will touch the ground with more than your hands.

Looking back I realize just how helpful these lead-up stunts are. I was going after a handstand before I could easily hold a headstand. Logically, you should go after the easier stunts first before tackling the more difficult.

The great thing about this course is just about every stunt and move shown leads in to the next one. If you want to get the One Hand Handstand then you have eight different lead-up stunts before you even attempt it.

On that note don’t forget you can get early access to ordering the Hand Balancing Mastery Course by signing up for the VIP List at Hand Balancing VIP List

And you can win yourself a free copy by sending in your success story. Don’t forget to do it soon because the deadline for entries is midnight on Monday, November 19th.

Have fun with this one and until next time…

Good Luck and Good Hand Balancing,
Logan Christopher

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