Tag Archives | Flexibility & Contortion

Planche and Hand Position

By admin on July 20, 2009 in Flexibility & Contortion, Hand-to-Hand, Planche

A few comments were raised about the hand position in Rafael Guerrero’s planche in a previous post.

Why was he up on the fingertips? Is this necessary to do a planche in good form?

Unless you have hyper-flexible wrists you won’t be able to do a planche with the fingers pointing forwards and flat on the ground. Most people turn their wrists out to the sides to alleviate this sort of strain or come up on the fingers.

But there are other ways to do a planche with the hands not taking as much stress as these other pictures by Rafael show. You can do it on some sort of parallel bars.

Planche on Bars
Or completely on the fingertips.

Top Planche on Fingertips
Even in a hand-to-hand balance.

Top Planche in High Hand to Hand Balance
But if you do have the wrist flexibility you can do it on flat ground with the palms flat on the ground and facing forward. In the True Art and Science of Hand Balancing the chapter on planches showcases W.H. Mering doing just that.

And if you’re seeking to build incredible strength like these planches show I have an important announcement later this week. Stay tuned!

Good Luck and Good Hand Balancing,
Logan Christopher

A few comments were raised about the hand position in Rafael Guerrero’s planche in a previous post. (If you missed that you can find it at https://lostartofhandbalancing.com/blog/the-true-planche/.)

Why was he up on the fingertips? Is this necessary to do a planche in good form?

But there are other ways to do a planche with the hands not taking as much stress as these other pictures by Rafael show. You can do it on some sort of parallel bars.

Or completely on the fingertips.

Even in a hand-to-hand balance.

But if you do have the wrist flexibility you can do it on flat ground with the palms flat on the ground and facing forward. In the True Art and Science of Hand Balancing the chapter on planches showcases W.H. Mering doing just that. Check out the book for more.

If you’re seeking to build incredible strength like these planches show I have an important announcement later this week. Stay tuned!

Good Luck and Good Hand Balancing,
Logan Christopher

Comments { 3 }

Overbalancing in the Forearm Stand

By admin on June 30, 2009 in Flexibility & Contortion, Handstands

This question comes from Fady.

“Hi Logan, hope you’re doing fine, actually I’m facing some overbalancing problems when trying to make elbow stand I find myself falling to a bridge no matter how hard I pressed with my fingers or trying stretching my legs and back.

“Actually I’m good at HS against wall, also balance good on frog stand and can save underbalanced HS pretty well (when I’m against wall), also I think I have a flexible back (I can make wrestler bridge and make my chin touch the floor)

“But I think I’m facing overbalancing problems, do you think that this could be due to my back strength lagging my flexibility? plz advice?”

My guess is that because of your great flexibility your legs and feet hang too far over in the forearm stand. This is what causes you to overbalance and land in a bridge.

Here’s two things you can do to correct this issue. First off, attempt to straighten your back. Don’t allow your legs to extend to far past. Instead try to reach up and stay tall.

The other thing to try is to do the forearm stand in front of a wall just like you would a handstand. By using the wall just as much as possible you can work your balancing and, of course, it’ll stop you from overbalancing.

Working these two methods you should be able find the balance.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. For more tips on the forearm stand be sure to check out the Secrets of the Handstand Quick Start DVD.

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Handstands When Your Wrists Hurt

By admin on February 12, 2009 in Handstands

A common problem many beginners have with handstands is that their wrists can’t take it.

I know the feeling. From a football injury back in high school my right wrist has never been the same. Its less flexible and even hurts when too much pressure is put on it in certain ways.

Actually working on handstands to regain that flexibility has helped a lot over the years. But recently, due to some other work its been flaring up again.

This means any handstands I do, I’m favoring and leaning to my left side which isn’t good. But there is a way to work around the problem.

And that is doing handstands on bars. Many objects will work; parallettes, pushup handles, kettlebells and more. As long as its stable you can do hand balancing on it.

At first you may have difficulty balancing since it changes the way your hands have to move, but with a little practice it’ll get easier, even more so than balancing on flat ground since you can grip it hard.

So if you have any wrist troubles hop on some bars to give your wrists much needed relief. Even if you don’t use these tools to change up the feel of your handstands.

And if you’re doing advanced moves where the wrist must bend even more, like in a planche or some presses, again the bars can be a big help.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. I write more about wrist issues in a special report you can find in the Hand Balancing Mastery Course.

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Straightening Handstand, Wrist Strength & More

By admin on January 26, 2009 in Bridging, Flexibility & Contortion, Handstands

Diving into a few questions and comments today.

“In the hand stand, and especially in the bridge, the main persisting difficulty is an inherent wrist weakness. In fact I observe steady improvement in back and shoulder flexibility, but the wrist is always setting me back!”
Joseph

I know your pain Joseph, having my own share of wrist problems. But I’ve come a long way in part thanks to handstands.

Here’s a few things you can try out. Always stretch before hand balancing or bridging. Just open the wrist back as far as it will go. And afterwards its great to work it the other direction too.

Try working some of the positions of the fists as well. This is known to help strengthen the wrists.

Of course there is much else to do, including many mobility drills for the hands and fingers. Since this is a problem for many people I’ll be covering it in more detail in the future. But for now I hope that helps.

Onto another comment.

“I got it! Thanks a bunch. I’m pleased with the quality of the material and your service.

“The handstand is really one of the most difficult skill I’m trying to learn, I’m almost there. Been practising since august but I was doing it wrongly by starting to do the handstands and not the build up moves! now I know what I know I’m doing wrong.

“Unfortunately my online friend who is into handbalancing didn’t tell me about the build up moves so I ended up wasting a lot of time practising doing handstands immediately. And most of the resources over the internet failed to teach this important aspect in learning this skill. Out of desperation I even attended a gymnastics class once. After many months of practice (4months) out of 10 attempts 1 will get thru and I would consider that a lucky day if I could hold it for 3seconds! It got so frustrating that I was ready to give up.

“I’m not back to ground zero but I could feel its just a matter of time in learning this. I’ve already mastered the frogstand, headstand and now been practising the kick up. Next would be the forearm stand.

“Here in the philippines, there isn’t much interest in handbalancing. I could only see some B-boys doing a walking handstands but doing static holds? I’ve never seen one. Though when I saw the press to handstand I was blown away by some guy at the gymnastics class.

“Ok got to read the books and dvd! I can’t wait till I can master the handstand! Once I could balance for 30 seconds then on to the advance course.

“Handbalancing is truly a lost art. It’s great that you that you decided to open this resource site.”

Regards,
Gerald

Thanks for sending in the report Gerald. You are too right. Learning the handstand can be frustrating, especially if you take the long slow road of going right to it.

That’s why I created the Secrets of the Handstand Quickstart Guide to give you the lead-up stunts you mentioned and plan to attack the handstand in an easier way.

Once you have that its just a matter of time and practice. You’ll be holding a handstand for 30 seconds in no time.

“How do you correct the arch of the back in a handstand?”
Martha

Let me start off by saying that arching in a handstand is not wrong to do as many people believe. But if you want to straighten out here’s what to do.

Go back to the wall.

Walls are flat so kick up into a handstand and straighten out to the point where all the points on your body are in contact with it.

Of course, you’ll also bring your head down in between your arms and this alone will help to eliminate the arch.

But don’t expect this to go away overnight, and especially be able to balance in the position. You’ll have to work at it to re-configure the body to do as you please since an arched handstand is not only easier but more natural.

That’s it for today. Going to have some new stuff for you this week so stay tuned.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Frustrated with the difficulty of the handstand? Don’t know the best place to begin? Find the proper path with the Secrets of the Handstand Quickstart Guide

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Free Movement and Complete Control

By admin on October 20, 2008 in Flexibility & Contortion

Free to move and in control.

Isn’t that what hand balancing and all acrobatics is all about? Being able to move your body in any which way and having complete control.

Capable of hopping onto your hands and shifting one way or another, posting on a single hand then coming down to your feet only when you want to.

What separates the amateur from the pro is having charge of all movement and making it look easy.

I’m always on the lookout for anything that can help give me an edge and also to make life more enjoyable.

One piece of training that too many people neglect is mobility. The issue isn’t flexibility. The issue is being able to move each joint individually through a range of motion that it is SUPPOSE to be able to go through without hurting or stiffness.

This is the key to longevity. To living without aches and pains. And at the same time it will make you a better athlete more capable to handle your challenges.

Many people are familiar with some level of this training whether it was done for a warm-up back in school for physical education or some sports. Simple things like arm or ankle circles. Turning the head from side to side and the like.

But those most basic moves, if they’re done at all are not the complete picture. Too many joints are neglected. The mid-back, pelvis and individual fingers are just a few examples.

And like anything else mobility practice should be progressive. You gain better control by adding complexity to the movement.

To learn more about gaining control of your body and movement check this out.

If you have issues with your hands, shoulders or back this could be the one thing that helps you take back your body.

The newly-released book Free to Flow will guide you through the starting movements up to complex waves, diagonal infinities and clovers for each part of the body.

And it’ll give you much else. You can get this 390-page book right now for only $34.95.

Consider it an investment in your health and as a way to improve your performance whether in sports, martial arts, hand balancing, or just about anything else.

Click here to find out more about Free to Flow

Sincerely,
Logan Christopher

P.S. I don’t often make recommendations of other people’s products but when I do you know its good. Considering what this book can do for you I think it’s a steal at the current price. Click to read more about it including Sonnon’s amazing story.

The True Art and Science of Hand Balancing

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Straight Arm Press Tips

By admin on October 10, 2008 in Flexibility & Contortion, Presses & Pushup

Time to answer some of your questions again. What with the new site and new releases I’ve let some of these pile up.

Here’s two asking the same thing.

“How do you do a lever up handstand. Starting feet on floor in straddle. Used to be able to do it when I was training 10 years ago-but even then it was a struggle & a skill I lost quickly. There’s got to be a technique I’m missing. can lever down but not up from feet on floor. Wait to hear…”
Chrissie

“I would like to learn how to go into a handstand the way gymnasts usually do by leaning over the hands with legs straight until the feet lift off and the legs hang then lifting up the legs into a sort of planche then straight up. Can you do this and what would be the stages in learning it? Surprisingly, I couldn’t find any information on this on the site.”
Ross

Thanks for asking. With a bit of different language both these questions are asking about the same thing. And that is the straight arm press.

It will be easier if the legs are straddled, but once that becomes easy you can keep them together in the pike position.

This move not only takes strength in the arms, shoulders and abs but a big degree of flexibility as well. You have to get the center of you mass over your hands if you want to have any chance of succeeding. This means your shoulders will come far over your hands.

Chrissie was on to something when she said she could lower down. Work the negative, staying under control and soon you’ll be able to lift up into the handstand.

Another way is to hold a Jack-Knife handstand. When you can hold this position low pressing up into the handstand should be no problem.

Some people have no problem doing this move. Others will have to do tons of work to get it based on there body leverages. If you fall into the later group just keep at it. A bunch of negatives, holds, and isometrics will get you there faster.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Bob Jones has some big tips for learning this move, found in the Chapter 8 – Pressing Up Into A Handstand of his book.

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You've got Questions, I've got Answers

By admin on August 23, 2008 in Bridging, Flexibility & Contortion, Handstands, Presses & Pushup, Tumbling

Been working on a new project. Hours of filming straight at a time. It’s rough work doing that much volume but the payoff should be great.

More on that later on, plus a few sneak peak video clips.

Right now, gonna dive into the mailbag to answer a few more of your questions. We got some good ones today.

“Quick question. I’m having trouble going past 30 seconds holding a handstand. My balance is constantly improving, so is strength (i can rattle off 12-15 pressups at a time – sometimes I’ll do 3 sets of 11). Just not getting why I hit a wall around 30 or so seconds in a free handstand. gotta run, Thanks for the great info”
Andy Moose

My first impression is that your hitting a wall because you think you’re hitting a wall.

There is nothing physiologically that changes after the half minute mark. If you can’t break it you just need a few options to work through it.

Set a goal to make 40 seconds. Maybe even visualize yourself doing it. But most importantly believe in your ability to do it. Do not think you’ll fail at 30 but that you can go on to 60 and eventually you will.

“how do you go back into a crab and flip over sucessfuly”
Gabrielle

I put out a video a while back showing how to do a similar move from the bridge position. If you haven’t seen it you can check it out here – Gymnastic Bridge Turn-Over.

The short answer is that it requires strength and flexibility in the shoulders to do this move. You have to be able to post your weight on the one arm while you rotate your body around.

“HI Logan,
A skill that I’m working to regain is the backward rolling summersault. I think I did it as a kid, but it is escaping me now. Any suggestions to implement the back roll without risking neck strain?”
thanks
Jeff

Many people can’t do a backwards roll because it hurts their neck. The problem lies not in the move itself but in weakness.

If you build up your strength this move will not be a problem. In Tumbling Illustrated there’s even a back extension roll up into the headstand without the use of the arms. How’s that for neck strain?

In my opinion the best exercise to strengthen the neck is the wrestler’s bridge. Tried and true. And if you move from a laying down position to the top of the bridge you cover the same angles of pressure you need for the backwards roll.

You can avoid the problem by doing backwards rolls over the shoulder or you can address it and make you neck strong. Your choice.

And if you want to have a really strong neck (when most people don’t even train theirs) stay tuned to what’s coming soon.

Good Luck and Good Hand Balancing,
Logan Christopher

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Increase your Hand Balancing Abilities

By admin on May 27, 2008 in Flexibility & Contortion

Got a question from Patrick. “I am a beginner at hand balancing. How can I find exercises and stretching drills thats will increase my abilities”

C’mon people. This is a call to all who submit questions. Be more specific. I can provide better answer when I know what you want. In fact the more detailed the better.But I will take a blind shot at this question.

To increase your abilities you need to work on the specific abilities themselves. I’m going to assume that you’re talking about your hand balancing abilities.

Depending on what you are specifically having trouble with this could mean any number of things.

If your having problems with balancing than I would recommend even easier skills than the handstand itself. Skills like the frogstand, headstand and forearm stand. Here’s the easiest way to learn how to do the handstand.

If you need strength I would recommend holding handstands against the wall and doing handstand pushups.

For flexibility, lets say in the shoulder region, you can do many drills. In a handstand against the wall you can bring your chest outward thus working the shoulder flexibility. That’s just one example of many. The gymnastic bridge also works wonders and for more than just the shoulders.

The concepts are universally applied to almost any exercise question. If you can analyze where you are at and where you want to be than break that down into things to work on you can attain any goal.

It’s a useful skill to have. Breaking down the seemingly complex into simple steps to follow.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Now if you want the whole hand balancing plan laid out for you than I recommend you check this one out – Hand Balancing Mastery Course.

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The 7 Values of Tumbling by Loken and Willoughby

By admin on May 8, 2008 in Tumbling

The past couple days have been crazy. I was amazed at the response to the Tumbling Course. Within a few minutes of putting the page up orders were coming in.

The good news is if you’ve bought your copy of the Tumbling Course before today, it is in the mail and on its way.

For those of you who’ve ordered, could you do me a favor and send me a email when it does arrive, with your initial impressions? Thanks!

There are quite a few left so if you’ve been waiting now’s the time to act. When I was looking over the course I couldn’t help but to think what a good deal it is.

In order to actually show you I’ve added a picture of all that you’ll get to the Tumbling Course page, but you can see it right here.

Tumbling Course

And that doesn’t even include the bonus tele-seminar. Right now, you have 5 days left to get it at $49.

Those that have ordered will understand the following. Here is a list of the benefits of tumbling, an excerpt from Loken and Willoughby’s ‘Complete Book of Gymnastics’.

The specific values of tumbling activities are:

1. Tumbling develops coordination and timing.

2. Tumbling develops agility and flexibility because of the nature of the movements involved in the activity, Much bending, tucking, and twisting is required to perform the stunts well.

3. Because of the running and springing necessary in tumbling activities, strength is developed in the legs. This is somewhat unique in that most other gymnastic activities tend to neglect the legs.

4.Courage and determination are developed in some of the more daring and difficult tumbling stunts. More advanced stunts involve movements performed with the body completely in the air.

5. Learning to control the body in basic tumbling skills has great carryover to the other sports.

6. The art of falling correctly, as learned in tumbling, is of great importance in many sports as well as normal daily activities. A relaxed rolling fall very often prevents or reduces injury and enable a person to regain his feet quickly after a fall.

7. Because tumbling is a natural activity, it is self-motivating and provides a great deal of fun and enjoyment for its participants.

Very well said, and succinctly too. As complete as list as there could be. If you want to get started quickly you know where to go, https://lostartofhandbalancing.com/tumbling.html

Good Luck and Good Tumbling,
Logan Christopher

P.S. I’ll be sharing with you some old hand balancing pictures this weekend that you haven’t seen before.

Comments { 2 }

Gymnastic Bridge Turn-Over

By admin on April 15, 2008 in Bridging, Flexibility & Contortion, Tumbling

Going to step away from hand balancing today and a bit more in the coming weeks to focus on related acrobatics and various tumbling moves. And I’ll be sharing many of them in video form like today!
First up is a bridging movement that I’ve been throwing in my routine the past few weeks.

This move involves going from a back bend or gymnastic bridge than turning face down. In order to do this you support yourself on one arm and turn to come on all fours. From here you continue the movement turning back into the bridge.

I’m calling it the Gymnastic Bridge Turn-over.

Just doing a single one of these moves is great. It requires great shoulder flexibility and strength. Can you say stability? In addition it will engage just about every other muscle in your body especially your abs, back and legs.

If one is no problem for you then do as I do in the video, stringing a bunch together to complete an entire circle. If you want a real challenge try to do five full circles each way.

Don’t feel bad if you can’t do this one. If this is a hard move for you it means one thing…you need to work on your gymnastic bridge. By improving your shoulder flexibility in this movement you can work up to doing the move shown here with ease.

So get on your back, press up, straighten the arms, and try to extend your chest over your hands.

You may also find that you can flip one way but not the other. Keep working at it until you can move seamlessly in and out of position in every way.

Good Luck and Good Tumbling,
Logan Christopher

P.S. Got another video next time that covers the very basics and why they’re so important regardless of who you are. In this and all things the fundamentals are of highest importance.

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