Tag Archives | Handstand

One Finger Handstand

By admin on August 17, 2009 in One Hand

Is a one finger handstand even possible?

Most would say that no human could possibly do this feat. But then most would agree Shaolin monks are anything but normal people!

This video shows a 91 year old monk Hal-tank from the Sil Lum Temple in China perform that feat.

As I’m sure you’ll agree this move goes beyond just finger strength, requiring intense focus of chi.

There are many other monks who have mastered a two finger handstand like this picture shows. Thanks to Gay Ng for sending it to me.

Two Finger Handstand by Shaolin Monk

(You can also witness this feat from another Shaolin monk in the awesome DVD Shaolin: Wheel of Life available for cheap on Amazon.)

But getting down to a single finger handstand takes many more years of dedicated practice.

Its sure to be an entirely different approach but there’s a full chapter by Bob Jones, famous for his thumbstand, on doing fingertip pushups and handstands in The True Art and Science of Hand Balancing.

You can get started with the basics. Whether you’ll work up to two or one finger handstand like the monks do is up to you.

Good Luck and Good Hand Balancing,
Logan Christopher

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Scissors Handstand

By admin on August 12, 2009 in Handstands, Walking & Jumping

After most people, myself included, have some success with the handstand they want to move on to a variety of stunts, most of which are much harder.

My advice, nowadays, is to stick with the handstand itself for a bit longer.

Yes, you can always just work on adding more time in a hold while improving your balance. But to spice it up a little bit try changing up your position.

There are a huge amount of different ways you can do this with different areas of your body. For today let’s focus on the legs.

Again, any possible way you can move your legs can be done in the handstand but let’s narrow it down to just one. The Scissors Handstand.

Scissors Handstand by Bob Jones
From The True Art and Science of Hand Balancing:

“Do a hand stand in nice form, then separate the legs, one backward and the other forward. Start the legs backward and forward in scissor fashion. Go slowly at first, and increase the speed, and come to a sudden stop with the feet and legs in nice form. While in the motion, the legs should be kept straight, with the toes pointed. This trick is very effective and is not hard to learn. Variations of the above are, scissors while walking on the hands, also scissors with the head forward through the arms.”

Check out the hand balancing book for many other moves just like this one.

Good Luck and Good Hand Balancing,
Logan Christopher

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Building Handstand Strength

By admin on August 7, 2009 in Handstands

A great way to end any training is to work on your strength and endurance a bit. And in this instance I’m talking specifically about in the handstand.

Just kick-up against the wall and see how long you can hold it.

Not only does this help you train the position it will build strength for holding the handstand with or without the wall.

If you can do one minute you are getting somewhere.

If you can do two minutes you are doing awesome.

Anything beyond that and you may want to switch to one arm handstand holds. This will increase the resistance to build even more strength and endurance.

Wherever you’re at, every time you do this exercise again just try to add one second of time. If you fight for it, it won’t be difficult to do at all.

Whether you are doing a conventional type of workout or are just practicing your hand balancing this can be a great way to finish it off.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Holding a handstand against the wall and balancing in the open are tow very different things. If you need help on the second check out the Secrets of the Handstand Quick Start DVD.

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Over and Underbalancing in a Handstand

By admin on August 4, 2009 in Handstands

“Hey Logan, just a short question on the handstand, how do you get control when you go towards under balancing ( I think…I’m new to all this, hehe)? Because when I over balance I just push the floor with my fingers, but when I under balance I just have no idea what to do.”

Thanks,
Sebastien V-G

“Hey Logan, I felt like trying a handstand today, and I tried it. I think I did pretty good, but before I can even hold it for more than a few seconds, I lose my balance and fall forwards. I have read most of the articles on this website, and I have tried the handstand again, but I still keep falling forward. Any Help?”
-Andrew

Thanks for the questions Sebastien and Andrew. They are common ones and are really all about what it takes to stay in the handstand.

To begin with if you are overbalancing you will press your fingertips into the floor. If you are underbalancing you can’t really press your palm into the floor, but you’ll want to raise your fingers up.

This old article has more details on the science of balancing.

There are also other methods of saving your balance whether its over or under. Read this article on shoulder weaving. As Bob Jones recommends this is not for beginners.

Learning this control whether by action of the hands or shoulders takes lots of practice. It’s a fine skill and will take time to develop or else everyone would be able to hold a handstand with ease.

That’s why I developed my Secrets of the Handstand Quick Start DVD. Using lead-up stunts will better help you to develop that balancing skill. And this review from Julia shows you why.

“Hi Logan, I appreciate your interest and support. You probably have the best support system I’ve seen for people using your products.

“The DVD is great, and I think it’s a valuable tool for anybody who wants to have a strong and stable handstand. I can really see the value of the lead-up stunts, and why a freestanding handstand is a bad idea until I get my frogstand under control.”

Thanks a lot!
-Julia

If you can’t control you handstand for more than a few seconds check out the Secrets of the Handstand Quick Start DVD.

Good Luck and Good Hand Balancing,
Logan Christopher

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The X Balance

By admin on July 31, 2009 in Handstands

X Hand Balance

I love this picture. Just how the legs and arms line up to become a perfect X.

With the arms spread wide balancing becomes much more difficult. You won’t have the simple back and forth balancing like in a regular handstand as your hands are pointed towards the sides.

The quality is not the best but if you look closely you’ll notice Rafael’s hands are on little blocks. These may aid a little in balancing.

Just try an arms wide handstand with the hands out to the sides and you’ll find just how hard it can be to stay up.

Its these kind of balances that you rarely, if ever, see these days.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. For similar poses check out photos 44 and 95 in the Inspirational Photo Section of The True Art and Science of Handbalancing

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Correcting Bad Handstand Habits

By admin on July 17, 2009 in Handstands, Walking & Jumping

First off thanks to everyone who took the time to fill out the short survey. I appreciate you spending your time to help me out even it its just a couple minutes. I’ll be sharing what everyone said a little later on but today I thought I’d tackle a couple questions.

But before that a few other updates. That last blog post on the planche brought a couple great comments. I’ll delve further into that subject soon (with a few more pictures). In fact, there’s been a few comments on several different blog posts which I’m pleased with. Keep the conversation going.

And recently, I was notified that the company that makes the Elite Rings and Ring Strength DVD has switched over to fre e shipping within the USA. And I’m passing that offer on to you.

So if you are in the US you can get these products even cheaper now!

Now onto the questions. It’s a long one but worth reading.

“I’ve been practicing (more or less playing with) handstands and handbalancing for about a year. I taught myself 100% and so I’ve adopted ALOT of bad habits. I can walk yards forward or backwards on my hands, I’ve held a handstand for 42 seconds once, and I’ve even been expirimenting with walking up and down stairs with some mild success.

“Unfortunately, despite the impressive feets that I can achieve I get criticized frequently on my form. My back has a huge arch and I let my legs dangle over my head. It works for me, but just doesn’t have that impressive look to it. I’m sure it’s not hard to teach someone to keep their legs together and toes pointed, but after a year of success it’s a little bit harder to break the habit. Plus I get frustrated easier because I think ”I can just do it better my way anyway.” So as you may have already guessed, because I usually let my legs dangle, when I try to pick them up I underbalance. It’s like trying to learn it all over again and It’s quite frustrating. If you have any tips on gradually recovering from this habit as opposed to just relearning it I would appreciate your advice. And is it suppose to be harder or easier with you legs together?

“A second question I have is a specific skill question. I can walk in a circle on my hands, but I can’t stay in one place and pivot around. It would be a cool tutorial for you to make if you can teach how to pivot on your hands. Or if you could just point me in the right direction that would be cool too.”

Thank you for your time,
Josh Reed

Thank you for taking the time to write a detailed question. Much easier to answer this when there’s lots to draw from.

About the form and how to correct it. First let me start by saying why some people go towards the feet hanging form. Because of the bend at the knees the lower legs are hanging down and this effectively lowers your center of gravity. Also like you mentioned it throws your weight a bit more forward toward an overbalance.

If its easier why is it not generally recommended? The key word is the legs were ‘dangling’ over the head. In this position it is harder to keep the legs under control, and without control hand balancing becomes much harder. You want the legs together and straight so that they act like one object, which is easy to control.

It may be a bit harder in the beginning but in the long run it’ll make more advanced stunts (and doing simpler ones for longer) that much easier.

This is a case of taking two steps back so you can move three steps forward. Yes, you’ll have to go back to re-learn the move in a sense. Going back to the wall will help.

But the best thing I think would be to learn how to move from one position to the other. Learn to stay in a stationary handstand. Raise and bring the feet together from your hanging, knees bent position, then go back and forth. Raising and lowering them under control.

Your handstand position isn’t wrong (even if others say its ugly). You should be able to assume any position you want. Learn to control your legs and make them do what they want.

Which brings me to the next question regarding doing pirouettes. Turning around in one spot is much harder than just walking forwards.

I’ll likely do a longer tutorial later on but for now just a couple tips. Start off with small steps and gradually reduce the number you use over time. Eventually it should only take two steps to turn around, but start with up to six if you need to.

Also pay attention to the feet. Its common just to focus on the hands as you do the move but giving mind to the furthest point from your balance will help you even more to stay up. And this goes for all walking and even standing still.

“I have subscribed to your Updater and it seems like Every time I learn of something new from a friend or somewhere on the internet I come to my e-mail to find you have already e-mailed me with a new set of tips or instructions JUST ON THE VERY THING! This is far from a question but I wanted to let you know you personally inspired me to continue my journey to become stronger and more powerful then I ever thought possible.”

Balancing diligently
~Matt

Thanks a lot Matt. I am happy to inspire and teach. And that’s going to wrap it up for today.

Good Luck and Good Hand Balancing,
Logan Christopher

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The True Planche

By admin on July 15, 2009 in Planche

An older hand balancer recently sent me a CD full of pictures of himself and others hand balancing. There are some amazing pictures and I thought I’d start off with one of the best. And there will be many more coming posted up here. Without further adieu meet Rafael Guerrero.

A Planche in the best form.

What most people don’t realize is how to do the planche correctly. While any semblance of a planche is a great display of strength and skill, when you can pull it off in this form its that much better. Of course to do it like this being a much smaller size is a plus!

Here’s a small section from The True Art and Science of Hand Balancing talking about the correct form of the skill.

“As exemplified by Paulinetti, the planche on two hand’s finds the body straight, flat and horizontal from throat to toes, and especially from throat to pelvis. Since the chest is thicker than the waist, this means that the shoulders are decidedly humped, corresponding very much to the hips. The position is much as if the performer were lying on a bench with chin and toes extended over either end–there is no arch in the back, and the hips are NOT flexed at all. This is where much of the trouble comes in, just as in doing the straight handstand with the head between the arms. Usually the performer gets the chest fairly well positioned, but instead of leaving the hips straight and then flexing the waist area of the spine slightly, he leaves his arch in the back and jack-knifes the legs forward (pretty much as in Figure 6) in order to get the feet down into line with the trunk. Again, in trying the planche–especially if endeavoring to get the flat chest effect–he neglects to thrust the chin forward and as a result has his face looking right at the floor instead of raised about 45 degrees and looking straight ahead.

“All in all, the correct position is decidedly not a normal one to attain, especially to a balancer accustomed to arching his back, and nine out of ten aspirants never even approach it. They usually wind up in nothing other than a “horizontal handstand” position–back arched, head up, and latissimus muscles hooked against the triceps. Understand, this is much of an accomplishment in its own right…but it is not the true planche.”

If you want to find out much more on the planche the read the full chapter in the book for the full details. But now you know some of the specifics for what it takes to do a true planche.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. There’s still time to take the short survey so I can find out exactly what you want. Click here.

The True Art and Science of Hand Balancing

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One Arm Muscle Up to One Arm Handstand

By admin on July 8, 2009 in One Hand, Presses & Pushup

This is from circus acrobat Yury Tikhonovich.

Yes, it involves a lot of momentum but this is one of the most impressive feats I have ever seen. A one arm muscle up into a one arm half-planche into the one arm handstand.

Isn’t it amazing what people can do these days? After this holding a regular handstand or a normal muscle up just seems easy.

Good Luck and Good Handbalancing,
Logan Christopher

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Overbalancing in the Forearm Stand

By admin on June 30, 2009 in Flexibility & Contortion, Handstands

This question comes from Fady.

How to do the One Hand Handstand by Professor Orlick

“Hi Logan, hope you’re doing fine, actually I’m facing some overbalancing problems when trying to make elbow stand I find myself falling to a bridge no matter how hard I pressed with my fingers or trying stretching my legs and back.

“Actually I’m good at HS against wall, also balance good on frog stand and can save underbalanced HS pretty well (when I’m against wall), also I think I have a flexible back (I can make wrestler bridge and make my chin touch the floor)

“But I think I’m facing overbalancing problems, do you think that this could be due to my back strength lagging my flexibility? plz advice?”

My guess is that because of your great flexibility your legs and feet hang too far over in the forearm stand. This is what causes you to overbalance and land in a bridge.

Here’s two things you can do to correct this issue. First off, attempt to straighten your back. Don’t allow your legs to extend to far past. Instead try to reach up and stay tall.

The other thing to try is to do the forearm stand in front of a wall just like you would a handstand. By using the wall just as much as possible you can work your balancing and, of course, it’ll stop you from overbalancing.

Working these two methods you should be able find the balance.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. For more tips on the forearm stand be sure to check out the Secrets of the Handstand Quick Start DVD.

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How to do a One Hand Handstand Against Wall

By admin on June 8, 2009 in One Hand

“How to do a one hand hand-stand? I can do a two handed hand-stand on the wall(to keep balance) but when I lift one hand away I fall, any tips?”
Sisi

The first time I did a one handed handstand against the wall I used a corner where to walls meet. This makes it easier to balance as you can press into the sides.

The one hand handstand even with a wall takes a strong core plus coordination. Make it easier by spreading the legs out wide. Make it harder by keeping them together.

And another tip is to not lift your hand instantly off of the ground. Instead as you shift more and more of your weight onto the one hand start using the other less.

So there you have three tips on doing the one hand handstand against the wall.

Good Luck and Good Hand Balancing,
Logan Christopher

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