Tag Archives | Reason

Gymnastic Handstand

By on January 8, 2010 in Flexibility & Contortion, Handstands

The gymnastic handstand or straight handstand is a more difficult move then the natural or curved handstand. For that reason I believe a beginner should work on the curved handstand first and once they become proficient at that then they can move onto the straight handstand.

Working on the straight handstand will take a good bit of dedication as you must learn to maintain a straight body while upside-down, something that certainly doesn’t come natural. As with any move its best to learn it in the easiest possible way first. For that reason we go to the wall.


Gymnastic Handstand

When working on the gymnastic handstand it is better to face the wall with your body rather then have your back to it. This makes it easier to get into the straight body position. You can cartwheel into position or walk your feet up the wall.

Once you are in the handstand get your hands as close to the wall as possible. Stick your head through your arms. This alone will help your back to stop curving. While keeping the arms locked push through with your chest to open up the shoulders. If this is difficult you may need to work on shoulder flexibility.

How to do the One Hand Handstand by Professor Orlick
ow to do the One Hand Handstand on Amazon

Another key part is the lower body. You want to maintain what is known in gymnastics as a hollow body position. That is you tuck your pelvis in. Think as if you were trying to reach your tail bone to your navel and shorten that distance. You may need to practice this position while not in a handstand if it is unfamiliar to you.

Once you have a good position hold for time against the wall. Work up to 2 minutes for multiple sets. If you can do this you have good endurance not just to hold the handstand but to keep your position while you do it. At that point the gymnastic handstand should feel natural to you.

The next step is to transition to freestanding. Instead of just kicking up out in the open start in the straight handstand against the wall and come off a little bit to find your balance. But that will have to be an article for another time…

Good Luck and Good Hand Balancing,
Logan Christopher

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What Trampoline should I use?

By on May 21, 2009 in Tumbling

With the release of the Trampoline Handbook I’ve received a few questions on what type and size of trampoline I recommend.

To do the tricks in the book you’ll need to be able fully layout on the trampoline. For this reason I recommend a trampoline that is at least 10 feet wide. And the bigger the better. Just gives you more room to do the tricks safely.

As to shape the standard round trampoline works fine, but the square or rectangular versions are great too.

As far as brands or where you get them a simple search on google for ‘trampolines’ will find you many places selling them. Or most likely you can buy them locally in your area.

And once you have it set up the real fun begins. See the Trampoline Handbook to find out how you can get started in tons of beginner and intermediate trampolining tricks.

The True Art and Science of Hand Balancing
The True Art and Science of Hand Balancing on Amazon

Good Luck and Good Trampolining,
Logan Christopher

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Frog Stand

By on March 13, 2008 in Uncategorized

The frog stand makes it easier to learn the handstand by training your hand balancing skills in an easier manner.

[youtube:https://www.youtube.com/watch?v=Vp86vFUlV84]

They call it hand balancing for a reason after all. The frogstand lowers your center of gravity and makes this learning the skills of manipulating your balance with your hands easier.

If you can’t hold the frog stand for at least a minute you have no reason to go after a free standing handstand. That’s my stance and I’m sticking to it.

But it’s not the only move. In fact there’s four. Master these and the handstand becomes much easier to learn.

Learn How to Back Flip in 31 Days
Learn How to Back Flip in 31 Days on Amazon

You want to know what the four are?

Okay, it’s the frogstand, headstand, forearm stand, and handstand against the wall. But make sure you do them right.

The Secrets of the Handstand Quick Start DVD covers all four lead-up stunts and much more.

Good Luck and Good Hand Balancing,
Logan Christopher

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The Secret to Hand Balancing is…

By on December 4, 2007 in Handstands

Some people say that there are no secrets left in the world. If you ask me, that is pure B.S. If you don’t know something then that something is a secret to you. If there were no secrets in hand balancing then no one would be buying The True Art and Science of Hand Balancing.

If you want to get good at anything, learn from the experts. Professor Paulinetti and Bob Jones would certainly fit under that definition.

Actually there are many secrets to hand balancing. Today, I want to cover just one of these so here it is.

It is called ‘hand balancing’ for a reason. I have watched many people kick up into a handstand only to be on the ground moments latter. One of the major points they lack is the sensitivity in the hands that is required.

Don’t miss a word of this, you must balance by the action of your hands. No flailing of your legs or weaving your body back and forth. Its all in the hands.

Take a moment right now to step away from your computer and kick-up into a handstand. Get a feel for the control in your hands.

This kind of control is why great hand balancers have not only strong and muscled arms, but forearms to match.

When you take this little key and master it, staying in a handstand becomes a simple task. Just imagine that…

This is just one piece of advice that can help you in a big way. To learn many more secrets from true masters of this art get your copy of The True Art and Science of Hand Balancing

Sincerely,
Logan Christopher

Tumbling Illustrated
Tumbling Illustrated on Amazon

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Gene Jackson Walking on His Hands down the Railroads

By on October 17, 2007 in Walking & Jumping

Another amazing hand balancing stunt straight out of Ripley’s Believe It or Not!

Gene Jackson from New York walking across a single rail of railroad track. You can see more of Gene Jackson’s stunts in The True Art and Science of Hand Balancing on pages 122 and 124

Gene Jackon Walking on his Hands

The next time you are by some tracks give it a shot. You will find it is quite a bit more difficult than walking across a flat ground.

The main reason for this is that you will have a narrower base than you usually have when walking. Instead of just falling forward or back, which happens in normal handstands, your body now can fall to the sides as well.

Even if you don’t walk the railways on your hands, by incorporating some kind of narrow base handstand work into your training you will increase your balancing skills even more.

It is also a great way to build up toward a one arm handstand.

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. I am putting together a free gift for you if you are willing to help me out. You’ll hear about it real soon.

Hand Balancing Made EasyHandBalancingMadeEasy_on_Amazon
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