Tag Archives | Upside Down

Gymnastic Handstand

The gymnastic handstand or straight handstand is a more difficult move then the natural or curved handstand. For that reason I believe a beginner should work on the curved handstand first and once they become proficient at that then they can move onto the straight handstand.

Working on the straight handstand will take a good bit of dedication as you must learn to maintain a straight body while upside-down, something that certainly doesn’t come natural. As with any move its best to learn it in the easiest possible way first. For that reason we go to the wall.


Gymnastic Handstand

When working on the gymnastic handstand it is better to face the wall with your body rather then have your back to it. This makes it easier to get into the straight body position. You can cartwheel into position or walk your feet up the wall.

Once you are in the handstand get your hands as close to the wall as possible. Stick your head through your arms. This alone will help your back to stop curving. While keeping the arms locked push through with your chest to open up the shoulders. If this is difficult you may need to work on shoulder flexibility.

Another key part is the lower body. You want to maintain what is known in gymnastics as a hollow body position. That is you tuck your pelvis in. Think as if you were trying to reach your tail bone to your navel and shorten that distance. You may need to practice this position while not in a handstand if it is unfamiliar to you.

Once you have a good position hold for time against the wall. Work up to 2 minutes for multiple sets. If you can do this you have good endurance not just to hold the handstand but to keep your position while you do it. At that point the gymnastic handstand should feel natural to you.

Tumbling Illustrated
Tumbling Illustrated on Amazon

The next step is to transition to freestanding. Instead of just kicking up out in the open start in the straight handstand against the wall and come off a little bit to find your balance. But that will have to be an article for another time…

Good Luck and Good Hand Balancing,
Logan Christopher

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Revitalizing Handstands

Traveling down to Los Angeles this weekend. Just a quick 6 hour drive for me.

It got me thinking about one of the uses for handstands. And that is ‘clearing the cobwebs’.

Anytime you aren’t thinking straight or feel like your brain needs to be revitalized, after a long drive for example, there is nothing better than getting inverted.

And you don’t need to be a master hand balancer in order to do it.

Just kick up into a handstand against the wall and hold for time. Once you tire of this, whether its 30 seconds or 3 minutes, drop down into a headstand and continue.

Even better is doing a couple of deep breathing exercises while your upside down. You’re sure to get a recharge from this. Add in some bridging and you’re golden.

Good Luck and Good Hand Balancing,
Logan Christopher

Walking and Jumping On Your HandsWalking and Jumping On Your Hands on Amazon

P.S. I just received an email you’re going to have to read to believe concerning the Hand Balancing Mastery Course. I’ll get it up on the web soon.

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What a broom can teach you about hand balancing

Everyone has done this at one time or another. A broom is a common item but any long straight object will do just fine.

Put one end on your open palm with the other end straight up in the air and keep it there by balancing.

This is not very difficult and let me tell you why. The broom is straight and solid. Your efforts at balancing it from the bottom translate straight up to the top so it is quite easy to keep it in the air.

Of course, this is related to hand balancing. However, there are some big differences.

Your body is not just one straight long object. You have mobile joints at your elbows, shoulders, hips, knees and ankles. And then there’s your spine which has many moving pieces.

This is not an anatomy lesson. My point is that your efforts of balancing on your hands may not directly translate to keeping your feet in the air.

Your target must be keeping your body from wrists to toes unmoving so that you can balance.

Keeping your body tight is the key to holding a quality handstand. Any leak means getting out of proper position and a much tougher time getting back in.

So stay tight, but don’t forget to breathe.

In the beginning all this is not as easy as it appears, especially when you are in the unfamiliar upside down position. But keep practicing.

When you can keep your body rigid then handstands are a piece of cake.

Sincerely,
Logan Christopher

How to do the One Hand Handstand by Professor Orlick
ow to do the One Hand Handstand on Amazon

P.S. For in depth instuctions on how to get into position and hold it check out Professor Paulinetti and Bob Jones’ Book

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Handstand Lead-up Stunts (The Two Arm Elbow Planche)

In Handbalancing Made Easy, Professor E.M. Orlick explains that there are a number of stunts which will  teach you many of the aspects that are needed for a good handstand. Two of these stunts are covered in the downloadable guide. These are the headstand and frogstand. Today I want to talk about one more of the 21 covered in the course.

In his own words these are the benefits on mastering all of these stunts.

The following lead-up stunts constitute stepping stones to perfection. They serve a multiple purpose and are of inestimable value. Taken alone each is a stunt in itself and worth learning even if you had no interest in handbalancing. All of them have something in common to the handstand and thus, pave the way for good handbalancing.

Each accustoms you to the upside-down position of the handstand, each helps to develop the strength, balance and muscular coordination necessary to handbalancing. Many form the very basis of the advanced stunts which will be dealt with later.

Anyone who sincerely desires to become an expert at the art of handbalancing should master each and everyone of these lead-up stunts. Even if you can hold a fairly good handstand now you should practice these stunts, for no matter how good you may be there is always room for improvement.

The Two Arm Elbow Planche.

Two Arm Elbow Planche

In addition to being an excellent lead-up trick the two arm elbow planche plays an important part in advanced handbalancing. Many difficult stunts can be built around it.

To perform the trick kneel on the floor, bring both elbows together and place them in your stomach and turn the palms of the hands facing upwards. Now lean forwards slowly and place the hands flat on the floor with your fingers pointing backwards. Arch your back slowly until your toes leave the floor and you will be doing the two arm elbow planche.

You will find the balance a little difficult at first but just keep on practicing. The stunt can also be performed on the edge of a table or on the end of any ordinary bed.

The True Art and Science of Hand Balancing
The True Art and Science of Hand Balancing on Amazon

I have also heard this move called many other things, from an elbow lever to a half-arm planche. The obvious next step, and much more advanced, is to switch to doing this move on a single arm.

Why is this stunt helpful? It trains the balancing aspect on your hands from a low center of gravity. You also have to keep a decent arch and your body tight or else you will touch the ground with more than your hands.

Looking back I realize just how helpful these lead-up stunts are. I was going after a handstand before I could easily hold a headstand. Logically, you should go after the easier stunts first before tackling the more difficult.

The great thing about this course is just about every stunt and move shown leads in to the next one. If you want to get the One Hand Handstand then you have eight different lead-up stunts before you even attempt it.

On that note don’t forget you can get early access to ordering the Hand Balancing Mastery Course by signing up for the VIP List at Hand Balancing VIP List

And you can win yourself a free copy by sending in your success story. Don’t forget to do it soon because the deadline for entries is midnight on Monday, November 19th.

Have fun with this one and until next time…

Good Luck and Good Hand Balancing,
Logan Christopher

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Just who is Professor E.M. Orlick?

If you’ve read the Complete Beginner’s Guide to Holding a Handstand than you were already introduced to this amazing man.

Here is an excerpt from Handbalancing Made Easy, which forms just one of many pieces of the new course coming out soon. This covers many of the benefits of hand balancing no matter your reasons for doing it.

“I honestly believe that handbalancing is one of the finest mind-body activities there is, and that everyone should learn something about this invigorating sport. I am also convinced that our national health, both mental and physical, would improve materially, if all of our people spent a little time each day in the stimulating upside-down position.

FOR THE GYMNAST, the ability to hold a perfect handstand is a must. This stunt, with its numerous variations, is used more often in gymnastics than any other trick known to man. Without it, you cannot become a champion gymnast, or even an accomplished performer.

FOR THE ACROBAT, whether amateur or professional, the handstand is of similar importance, because it can be used in such a great variety of ways and in such a multitude of different acts. The handstand belongs in the repertoire of every good acrobat.

FOR THE BODYBUILDER, and all others interested in building impressive, muscular, he-man physiques, the handstand is a natural. Not only does handbalancing help to build big, powerful muscles, but it also shows off the well-developed body to its best advantage. Furthermore, it proves to the whole world that your muscles are not a lot of useless bulk, because handbalancing requires a find combination of balance, controlled strength, and neuro-muscular coordination.

FOR THE WEIGHTLIFTER, and other strength athletes, the handstand serves a similar purpose, but does even more, for it helps to develop terrific pressing strength. All good handbalancers possess powerful triceps. I have yet to find one who could not press his own body weight over his head. Some can press much more, even though they have never practiced weight-lifting. Most handbalancers practice some weight-lifting to help them with their sport, and likewise, many weight-lifters do some handbalancing to help them improve their lifts.

FOR THE ATHLETE, no matter what his favorite sport may be, handbalancing is a wonderful, exhilarating, strength-building activity. It is particularly good for those sports which require strong fingers, wrists, forearms, upper arms, shoulders, upper back and lower back. However, it exercises all of the muscles of the body to some degree, is a good circulation stimulator, and a fine warm-up exercise.

FOR THE ORDINARY PERSON, who just wants a strong, healthy, useful body, which can serve him efficiently and enable him to enjoy a happy, exciting life, handbalancing is just the thing. Handbalancing brings into play every muscle in your body and has a beneficial effect upon all of your vital organs and systems. It improves circulation, respiration, digestion, elimination, and other important functions. It aids thinking and reasoning by bringing more blood to your brain, and more oxygen to your blood. It is challenging and exciting and has a beneficial effect upon the central nervous system as a whole. There is no better way to get fit and stay fit…mentally and physically… than through handbalancing.

HANDBALANCING is more than a series of stunts, more than a system of exercising, it is a way of life. To be a good handbalancer you need a sound mind in a sound body. You need strength of character, will-power, self-confidence, determination, perseverance, and the will to succeed. You need a mind free from worry, fear, and tension. You need a medically fit body, that is free from disease, injury, or infection. You need good balance, fine coordination and rapid recuperative powers. You need strength, stamina, and endurance; you need vim, vigor and vitality. You need mental and physical fitness of the highest order.”

As you can see Prof. Orlick was a huge believer that anyone and everyone can benefit from doing some hand balancing.

And don’t forget you can win a copy of the entire course for free. See the details on the blog below.

More details to be released soon. I am working like a banshee to get everything ready but it is looking real good.

The True Art and Science of Hand Balancing
The True Art and Science of Hand Balancing on Amazon

Good Luck and Good Hand Balancing,
Logan Christopher

P.S. Why does it seem like all the best teachers of hand balancing seem to be professors or doctors? Maybe I should go get a degree. Until then you can check out Professor Paulinetti’s work.

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