Tag Archives | Handstand

Stressing Over a Skill and 3 Ways To Overcoming Obstacles

By Jon Magno on August 31, 2017 in Acrobatics, Gymnastics, Hand Balancing, Hand-to-Hand, Handstands, Head Balancing, One Hand, Other Skills, Parkour, Presses & Pushup, Tumbling, Uncategorized

Training is a huge part of my life. Its fun, tests my limits, and is a HUGE stress reliever. But what happens when something key to that chill factor adds to the stress. Living in Silicon Valley, stress is a very common thing. Fear, anxiousness, and doubt are always just around the corner. With the pressures of being around some of the most intelligent people, helping to move the world around, this anxiety and doubt can creep into the oddest places.

Once such occasion happened to me just yesterday. I was training in Tricking. If you don’t know what that is, its all those cool martial arts guys spinning and flipping in the air while throwing kicks. While working on a normal Butterfly kick but with a new entry, my anxiousness started setting in. Its an odd fact, but even I get this way.

I’m human.

With the stress of building a business, personal stuff, and helping clients through their own processes in getting better; the fear, anxiousness, and more started to set in. Luckily with supportive people around me, I was able to push and move forward.

But what do you do if you don’t have that support?

Try these 3 ways to overcome that negativity and keep moving!

Way #1 Move Into The Fear.

It’s all about meeting your fears and facing them head-on. Aim to recognize your fears, acknowledge them and then move through them. Ask yourself what is it that makes you uncomfortable? Have you let yourself get out of shape and are afraid you’ll never get back? Do you have an injury that’s caused you to be afraid of your body? If you can visualize creatively, then you can put your fears in check. Remember: your body has knack at baselining itself. Your only job is to trust it and listen.

Way #2 Trust Your Intuition.

It is important when overcoming obstacles and learning to break through barriers that you begin to listen to the still small voice of your body. In most cases, we all want the comfort of having someone telling us what we can and cannot do. However, our highest truth is usually deep down. This is not to say that good opinion of others are not important, but ultimately the decision making comes from within.

When facing a challenge or an obstacle look to how you feel. What are your instincts telling you? Often it is simply your instinct that will move you into a new mindset and raise your consciousness. It’s simply about changing your perspective. Although in order to do this you have to find where your restrictions and boundaries are so that you can move past. Once you know what they are, remember “WAY #1” and meet them head-on.

Way #3 Live Beyond the Boundaries

So what’s the final takeaway from all of this? Staying afraid often keeps us from truly living. Moving forward starts with your attitude. Are you going to keep letting things beat you down and miss whats happening today. Or will you make today the right time to face them.

Life Beyond The Boundaries.

Push past your fears and boundaries and when you’ve settled with that, look for another skill, trick, or plateau to jump.

Stay Inverted!

-Jonathan Magno

PS On a different note, if you want all the tricks of the trade for hand balancing, check out the Secrets of the Handstand Bundle!

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Squeeze those Hips , But don’t Forget #1!

By Jon Magno on August 20, 2017 in Acrobatics, Hand Balancing, Hand-to-Hand, Handstands, One Hand, Other Skills, Uncategorized

Squeeze your hips, clinch your butt, or feet together.

These are probably some of the most frequently used statements given out when trying to learn the handstand. Its also pretty common that enthusiasts who are just learning attempt to squeeze or clinch but still don’t get the desired result of keeping their body elevated and stable.

Where does the problem lie?

It comes in the form of visualization. The directives given for squeezing the hips or clinching the butt are mechanical, even if there is feeling behind them.

i.e. SQUUUUUUEEEEZZZZEEEE those hips!

Although the mechanics are correct, its hard to put together the sensations about what you are supposed to feel when you squeeze or clinch.

So how do we get past this issue?

Its actually pretty simple. You utilize a visualization that is also a mechanical directive.

How to do the One Hand Handstand by Professor Orlick

Now this is something I look for when I teach. There are things that everybody has done which they can relate to a skill task. In regards to squeezing the hips. One things that everybody has done was “hold it in.”

Don’t worry, I’m going to expand on this.

Have you every had to go #1(title of the post!) but were far away from your destination by distance or even a long line. What do you do? You turn legs in, maybe jump around a bit and squeeze the heck out of your pelvic floor, adductors, etc. Everybody knows the feeling because everyone needs to use the restroom at some point, and if you don’t, wow. So one of my more commonly used visualizations has changed from squeeze those hips, to pretend you need to pee and have to hold it in. Without a doubt, its simple, directed, and the result speaks for itself.

Why don’t you give it a try and see if you can hold that inversion longer by stopping #1.

Stay Inverted!

-Jonathan Magno

PS If you want all the tricks of the trade for hand balancing, check out the Secrets of the Handstand Bundle!

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The Frogstand or the Crow Pose?

By Jon Magno on August 11, 2017 in Acrobatics, Hand Balancing, Hand-to-Hand, Handstands, One Hand, Other Skills, Uncategorized

So today, I have another fun video for you that I’m hoping will show a different perspective on your body skill training.

Every person who trains their body has a different view on similar or lateral skills. They might be in the same codified system or ones that overlap.

An example would be my friend Jonathan and I.

“Two Jons”.

One is hyper and the other is zen.

The True Art and Science of Hand Balancing

He’s a practitioner of yoga and martial arts. While I’m a combat enthusiast and movement trainer especial.

Since we follow lateral systems of movement, and the human body can only do so much, certain skills are definitely going to overlap.

A prime example would be the frogstand and the crow pose. They are basically the same move. What makes them differ from each other are the experience and accumulated depth of knowledge of the practitioners of different styles.

Which is why we made this video. Just watching, you’ll be able to see how we approach the same move. You’ll be exposed to multiple points of views and in turn have a stronger understanding of how to approach it.

Check out the video here!

Stay Inverted!

-Jonathan Magno

PS If you’re looking for a fully codified system of hand balancing, check out the Secrets of the Handstand Bundle!

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How your fingers enhance your floorwork!

By Jon Magno on August 9, 2017 in Acrobatics, Hand Balancing, Hand-to-Hand, Handstands, One Hand, Other Skills, Uncategorized

It will probably come as no surprise that out of all the body weight styles of training from bar work, to rings, and even aerial flippy kicky skills; my favorite sets will always revolve around floorwork.

My basis for this is probably another unsurprising fact. You really don’t need any other piece of equipment other than your body using this style of training. To top it off it creates a nice strong foundation for the other body skills. Even if you’re having an issue with a move through either fear or even sloppy form, you can practice a lateral skill progression on the ground to build up that kinesthetic or confidence. I do this all the time.

In relation to your floor work; having strong, flexible, and coordinated fingers is a top priority. This is because in certain maneuvers, you are basically replacing your feet with your hands, which should have a similar level of control.

Before we move forward, lets build out on this idea by touching on the feet for a second. Specifically we’ll focus on your toes.

I want you to try something without getting too deep into it. But before you do this make sure that you are in a safe area where you won’t hurt yourself.

I want you to lean your shoulders forward as far as you can until your shoulders get past your toes.

Did you notice something? Were your toes gripping for dear life so that you could try and stay upright? Did you also take steps or shift your feet so that you could find your balance again? My guess is yes.

You can go ahead and do the same laterally to the left or right and even backward if you like.

Its the same thing with your fingers and hands while you are doing floor work. Your fingers are like your toes gripping on to the floor to give stability and balance. If your body starts shifting forward, your fingers can grip the ground and act as your breaks. In a similar fashion, your thumb can slow you down if you start falling back to where you started. Your fingers are intergral in maintaining that structure. Especially in the beginning of your handstand journey.

A final way that your fingers can enhance your floor work is by relieving stress on your joints, and pulling the wrists out of full flexion thereby reducing the load on them. I’m all about testing. Try running through your floorwork with your fingertips gripping and see if it changes your stability and balance!

If you get some good results, be sure to let us know!

Stay Inverted!

-Jonathan Magno

PS If you want to become more skilled and develop your floor work, check out GMB Floor 1!

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The True Art and Science of Hand Balancing

By Jon Magno on February 14, 2017 in Flexibility & Contortion, Hand Balancing, Handstands, Head Balancing, Mobility, One Hand, Planche, Presses & Pushup, Walking & Jumping

For many people, today is a special day. I’m not going to get too deep into it, but it does involve a heart, candy, and maybe some stuffed animals.

What I am going to get into is a book on hand balancing that can be used as a starting point to learning the handstand correctly as well as a look into the history of hand balancing. This book is called The True Art and Science of Hand Balancing.

The authors of the book, Professor Paulinetti and Robert L. Jones, have a combined experience of 70+ years practicing and teaching hand balancing and gymnastics. In the 1940’s they wrote THE book on this art.

Although we have many guides of information here, this book gives you an inside look at how this skill gained a following in the earlier years. This book is filled with information and insight on hand balancing

Happy Valentines Day and pick up The True Art and Science of Hand Balancing today!

Stay Inverted!
-Jonathan Magno

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Refining your Handstand Push up

By Jon Magno on February 11, 2017 in Flexibility & Contortion, Hand Balancing, Handstands, Head Balancing, Mobility, One Hand, Planche, Presses & Pushup, Walking & Jumping

Earlier we talked about the two types of handstand presses. Today, we’ll go a bit more into an often utilized bent arm version. The handstand pushup.

Many people begin their hand balancing against a wall. This was the case for me and I know its the same for many others.

On top of that holding a handstand while doing pushups is one of the ultimate bodyweight exercises for your upper body; with or without a wall.

Think of the upper body strength attainable by being able to rep out a freestanding handstand pushup. You can find many admirable people with supreme strength attain this move. These range from the different BAR groups like the Bar Brothers to the movement groups like GMB.

Whichever method you choose, one thing is for certain. Strength and balance are key.

One thing I noticed that tends to throw people off is their hand and arm position.

If you were to kick up against a wall to do pushups what position would you take? Is this the same position you’d take away from the wall?

Play around with the width and angle of you hands and arms and you will find you can change the difficulty of handstand pushups considerably

Discover the newfound strength in your presses with our Ultimate Guide to Handstand Push-ups Bundle.

Stay Inverted!
-Jonathan Magno

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The Division of the Handstand Press

By Jon Magno on February 9, 2017 in Flexibility & Contortion, Hand Balancing, Handstands, Head Balancing, Mobility, One Hand, Planche, Presses & Pushup, Walking & Jumping

When you finally understand the mechanics of the handstand, it no longer takes that much strength to perform it. But if you want to start building some inverted strength, start progressing to the handstand pushup.

Handstand pushup demonstrated by Logan Christopher of Legendary Strength

Handstand Presses can be broken down into two main groups. The straight arm and the bent arm press.

The various bent arm presses take a high degree of strength in the shoulders, triceps and also the chest in many cases.

Straight arm press-ups still take strength but in different areas. Also you will need flexible wrists, hamstrings, and the ability to compress your body in half. In fact the more flexibility you have the less strength you will need.

For all these reasons most people will be better at either straight arm or bent arm presses. There are many people who can do the straight arm variety but will fall on their face if they have to bend their arms.

On the other hand most strong people can do many bent armed presses. These take tremendous arm and shoulder strength to pull off successfully as you have to hold your entire bodyweight in mid air for a length of time. But for these people the straight arm presses can be elusive.

In the end true mastery comes from being able to do both. In order to do this you must train for both.

Presses are not easy, especially if you haven’t been training as a gymnast. But it can be done.

If you’ve ever wondered why hand balancers are so strong this is one of the major keys. So start pressing.

If you need some help in getting started with presses, why not check our Ultimate Guide to Handstand Push-ups Bundle.

Stay Inverted!
-Jonathan Magno

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Autoregulation – A Framework for Building Skill

By Jon Magno on February 7, 2017 in Acrobatics, Gymnastics, Hand Balancing, Handstands, Uncategorized

In a previous post, I covered overcoming hurdles and changing things up. I even discussed an interesting buzzword; autoregulation.

I didn’t want to get too deep into autoregulation at that point because I wanted to keep things simple. Although I think today is a perfect time to discuss what this whole autoregulation thing is about.

Autoregulation in its base training terms means to adjust the training session to the body’s needs at that point in time. First off let me say that this doesn’t mean to jump into every session without a plan and guns shooting. That is off course from what we are looking for in our own training, although having time to play while you train has its merits.

What we are talking about is having an adjustable framework to work from.

Lets take our wall assisted handstand as an example. To add to this, lets set a simple baseline to follow while your understanding this method. There are many methods to autoregulation including those from our friends at Gold Medal Bodies.

To start off, lets take the ideas of quality, quantity, and time. Say that our chosen training activity, the wall assisted handstand, will be given a time frame of 20 minutes. In that 10 minute time frame, I set a goal(quantity) of a 30 second handstand with a quality of a controlled kick-up lightly touching the wall and straight line. I have an added base point of stopping after not being able to hold a quality 20 second handstand even if its before the 20 minute time frame ends.

So what I’ve done is set up some “soft” parameters that i can play with in order to adjust my body accordingly to the task. This is important when building a skill, because you are learning to utilize your body. We have the added biological mess, that your bodies current state is a result of stimuli received previously.

You can look up more on the subject by doing a quick google search. But if you want to get a tasted of auto-regulated skill training, test out one of the many Gold Medal Bodies training programs.

Stay Inverted!
-Jonathan Magno

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Do you Have Sensitive Hands?

By Jon Magno on February 4, 2017 in Hand Balancing, Handstands, Head Balancing, One Hand

Oddly enough this is an actual question that I’m asking you.

Our hands are incredible tools. According to a book on hand dynamics, it takes a third of our motor brain to control the hands. And by the fact alone, we are able to manipulate tools and thus build an advanced civilization unlike any other animal.

When you think about it, our hands are very amazing instruments. They have so many dynamic ranges of movement they can achieve, that its mind boggling. They can create art, play musical instruments, hold large weights, massage another person, and much more.

Hand balancing doesn’t just take strength. That’s an obvious thing to anyone who has ever tried a handstand.

In order to balance you need sensitivity. Being able to feel minor movements in your body and weight distribution and correct them by manipulating your fingers and wrists.

Let me leave you with a final thought.

Sometimes you need to concentrate on the big picture. Other times you need to look at the very small details.

The next time you are inverted, give some added thought to the slightest movements in your hands. It might help you out.

Stay Inverted!
-Jonathan Magno

PS If you want guided path on your hand balance journey, check out our Handstand Mastery Course.

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Do you Roll Forward or Reverse Engineer it?

By Jon Magno on February 2, 2017 in Acrobatics, Flexibility & Contortion, Mobility, Tumbling

Rolling on the floor. It seems like a simple task. But many people seem to have a tough time with it. The simplest reason why is because they dive straight into it without the right body feel.

When somebody is initially taught the roll, they start off in a kneeling position, and the first point of contact tends to be their shoulder. Following the contact with the shoulder the next point of contact tends to be the lower back or rump. This is usually exemplified by a large thump or possible yell.

So why does this occur? The two culprits are body kinesthetic and flexibility. When a person is rolling they need to be able to feel the connection of their back to the floor. On top of that, they need to be flexible enough to round out their back to create the shape necessary to roll.

Where does a person start to gain the tools necessary. They should begin at the point of contact that most of the issues occur. That point would be the mid-back. Build the right body feel and flexibility in that area and the roll will be an easy task.

A great example on building this body feel comes from Ryan Hurst of GMB Fitness. Below, he demonstrates a set of progressions that you can use to develop the right feel to easily develop your rolling skills.

If you found this tutorial useful. Check out the GMB Vitamin Course to gain more skills similar to the roll.

Stay Inverted!
-Jonathan Magno

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